The greatest collection of art in the world may not be at the Met or the Louvre any longer. The secret vaults of the wealthiest collectors in the world may hold much more art than the top art museums, with the vast majority of it locked away in so-called freeports in...
Fifty years ago—in May 1966—the Velvet Underground played their legendary West Coast debut at Hollywood nightclub The Trip as part of Andy Warhol’s Exploding Plastic Inevitable. On the first night, the joint was packed with curiosity-seeking hipster celebrities; Cher...
Does anyone remember the Paragons and the Jesters? In high falsetto voices they whined about the ache of first love way before I ever felt it. They prepared me for heartbreak in such a visceral way that I couldn’t wait for it to happen. Love? Was it going to come to...
Native New Yorker Beth Rudin DeWoody may be one of the most energetic collectors in the world, with a collection that includes about 10,000 works, mostly of 20th and 21st century art. Collecting since the 1970s, Rudin DeWoody consistently makes ARTNews’ Top 200...
This is a golden age for people who like to watch movies at home. Films considered obscure or lost are turning up on YouTube, in deluxe boxed sets, and at museum screenings. Digital projection is causing DVD bootlegs of museum screenings to look as crisp as commercial...
UNDEREXPOSED Dear Babs, I’m a 16-year-old artist currently living in Austin and I was wondering are there any opportunities to showcase my art? I truly love art and drawing but unfortunately have not had much exposure and I want to share my passion and skill. —Alexia...
ART BASEL IS BIGThe Big Mama of Art FairsArt Basel is big, very big. The main event is on two levels of a circularly designed building at the Messe Basel complex, with the “Unlimited” section next door in a gigantic convention hall. A series of outdoor installations,...
Thirty-seven years ago Lydia Takeshita and her college students formed what would become the LA Artcore Center, presently located in Japan Town in downtown Los Angeles, and later added the Brewery Annex location in Lincoln Heights. Takeshita is the founder, executive...
Curated by the New York-based art and fashion magazine collective DIS, The Ninth Berlin Biennale: “The Present in Drag” (or BB9), attempts to examine a “postcontemporary” condition through the presentation of unavoidable inauthenticity. Mostly it consists of work made...
Joseph Stashkevetch is a consummate craftsman, his work suspended effortlessly between drawing and photography. In his recent show at Von Lintel Gallery, the addition of a literal third dimension leverages his simple process (conté crayon on rag paper) into an...
Federico Solmi’s “The Brotherhood” offers a dystopian nightmare-scape where the cult of celebrity overwhelms one’s every sense. The pseudo-cliché of the beautiful versus the profane collides in the meticulously painted frames of “smart” TVs projecting Solmi’s drawings...
Activities are often pierced by interludes that have little to do with them. One’s reading, for instance, may be interrupted by thoughts, noise, a graphic on the opposite page, a text message. This sort of discontinuity is central to Paris-based Denis Darzacq and...
Constructed spaces, both virtual and actual, link the works of Barry Anderson and Timothy Paul Myers (in collaboration with Andrew Barnes). In the front galleries, Kansas City-based multimedia artist Barry Anderson presents projections, stills and monitor based works...
Curated by critic Michael Duncan, this 15-year survey consisting of 40 mixed media works, paintings, textiles and sculptures was evocatively entitled “Tree. Lingam. Void.” The exhibition offered an in-depth look into the artist’s ongoing exploration of the collective...
The vast, empty expanses of the southern California landscape, whether desert vistas or sprawling webs of highways, have long fascinated artists. John Divola photographed a moldering beach house in Zuma and an “Isolated House” series of desert abodes while Ed Ruscha...
With work that has a firm footing in the traditions of the fiber arts, Jane Hugentober builds the case for a powerful conceptual dimension within a more traditional art-making framework. Far from ironic, the artist looks to precedents such as Mary Kelly’s Post-Partum...
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