From George Washington’s celebrated portrait to Frank Sinatra’s mug shot, Raymond Logan paints a wide range of subjects with exquisite depth and color. His layered palette resembles sculpture, crafted of hue and shadow. While each portrait in his current exhibition is...
Capturing human dignity through drawing requires commitment not only to clearly see but to deeply observe. Current works by Richard Wyatt Jr. at Steve Turner gallery encapsulates such an act. As a muralist in the tradition of such predecessors as Charles White, John...
Trinidadian artist Miles Regis searches for hope and meaning in the ugly and chaotic. An astute social commentator drawing from his experience as a Black man who emigrated to America 31 years ago, Regis imbues each canvas with a rich visual narrative dealing with...
Karla Knight is sending us a message. With maps, symbols and UFOs, there are mysteries in every piece. Four decades worth of paintings, tapestries and drawings are on view in Knight’s first institutional solo show, “Navigator,” at The Aldrich Contemporary Art Museum...
“Let Me Talk” at The Brand Art Center has a lot to say. Curated by artists Ada Pullini Brown and Jill Sykes, the group exhibition’s inspiration comes from a fierce quote by Toni Morrison, stating “In times of dread, artists must never remain silent.” This varied body...
Survival is dependent on adaptability. But at what point will humans be willing (or forced) to become adaptable? Josh Kline's 16mm short film, Adaptation (2019–22), presents a future shaped by human destruction. New York City has become submerged by seawater due to...
Enlivened by the energy of Frieze Week LA, I went to The KNOW Contemporary to view curators Knowledge Bennett and Charles Moore’s group exhibition, “BLACK.” To my surprise, I’d stumbled into the installation’s culminating event, a panel discussion with its artists and...
It is probably safe to say that cartography evolved directly alongside oral and written narrative. Similarly, it is plausible to assume that fictional narrative began to take form as travel between known or proximate locations gave way to voyages across unplotted or...
We are supposed to wish upon them when we see them fall. But however sentimentalized shooting stars may be, they are merely rocky debris skimming the atmosphere — all their mythology is manufactured by those of us watching in awe from our Earthly confines. In the five...
Lounging Lavender, or simply L.L. as she is known in the “hood,” which isn’t really the “hood” at all, but more like a dilapidated garden for displaced and aging shrubs, begins her day with a daily routine of sun beams and purified water. To say she lives a life a...
Jonas Wood’s highly patterned and flattened paintings take up all four gallery rooms at David Kordansky Gallery. Evoking the decorative arts, their inherently “attractive” quality reminds one of a painted mosaic. Wood created this affect by using deliberate linear...
It’s rare to encounter a Warhol exhibition with something genuinely new to say, but somehow Lifetimes (a co-production of Tate Modern, Museum Ludwig, Art Gallery of Ontario, and Aspen Art Museum — its only U.S. venue) accomplishes it. Thanks to both the thoughtful...
Deceptively clean, simple, and filled with Southern California light, Ed Templeton’s new exhibition “The Spring Cycle” explores life in a suburban Southern California beach. And it has a deeper context: a critique of the banal isolation that often permeates suburbia....
Be careful not to break a mirror, or it’s seven years of bad luck. Don’t hang a horseshoe upside down unless you want the luck it holds to trickle out the ends. Step on a crack, break your mama’s back. Though they are most often recalled trivially and half-jokingly,...
I’m not in the habit of writing restaurant reviews but I was so moved by a recent dining experience that I simply had to share it. I needed to get something to eat in a hurry and decided to check out a local lunch counter that has been doing spectacular business for a...
Kicking off 2022, New York’s The Hole has debuted a solo show from Gosha Levochkin, the gallery’s first with the Russian American artist. Wild, vibrant and interminably buzzing, Last Element is rife with bright constructivist shapes, cartoonish figures and references...
Ross Bleckner’s first solo show in 25 years, “Sehnsucht” at Vielmetter Los Angeles, is a haunting meditation on longing and the cerebral process of lamenting. The 15 new pieces (created from 2019 to 2021) are fleeting in nature, chilling and deep. Mostly large in...
In "Another Land" at Luis De Jesus Los Angeles, Ken Gonzales-Day invites viewers to face the ugliest parts of ourselves and our nation’s history: its legacy of racialized violence. This latest series of drawings is informed by Gonzales-Day’s extensive research into...
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