Contrary to certain art historical narratives, painting has never waned, but only been ever more rigorously interrogated—usually by the artists engaged with the medium. Chris Barnard is one of those artists mining and turning over the modernist tropes of figural...
John Baldessari once said that art should make you stop and look as you’re crossing through a museum. Mark Jenkins’ sculpture-installations certainly break one’s forward momentum. On entering the gallery you’re confronted with a clothed leg and shoed foot growing from...
he beasts of burden in Cynthia Minet’s conceptually and politically astute project include an elephant, pack dogs and birds of prey (vultures/falcons/raptors). Internally illuminated by LEDs and created from recycled and repurposed plastic fragments of all shapes,...
“These Carnations Defy Language” started with Alexandra Grant and Steve Roden’s mutual enchantment with the writings of the French poet and essayist, Francis Ponge. Ponge created a form of prose poetry, in which he worked with highly ambiguous and elliptical language...
Our experience of the natural world is mediated through filters both internal and external. The scientific term “Haptic Rendering” refers to a robotic interface that allows users to “touch” virtual objects. Francesco Igory Deiana, who recently presented a series of...
Mark making is the Cuban born, Atlanta based artist Rocio Rodriguez’ mode of operation. Continuing in the tradition of Abstract Expressionists such as Mark Rothko, whose groundbreaking practice emphasized process and feelings, Rocio Rodriquez devises a language of...
Please see feature on Nuttaphol Ma by Christopher Michno.
In this unnerving performance video about child abuse, McCarthy, along with Mike Kelley, who co-stars, play a “father” and “son” respectively. As Kelley cowers nervously, McCarthy performs a series of penetrations on a variety of inanimate objects — violently stuffing...
Ned Evans’ recent survey exhibition entitled Slight Return; A Selection of paintings 1985 – 2015 at Craig Krull comprises a long-standing commitment to abstraction with the oft visual nod to great abstractionists like Helen Frankenthaler and Mark Rothko. As a whole,...
Let’s face it. Artists make the coolest and best gallerists, and when they don their artist’s hats, as in the recent exhibition "10 Part Invention" at Jaus gallery, where gallery collective Tiger Strikes Asteroid flex their art muscles, it’s truly a pleasure to...
It is that most fundamental of human needs – our need to make sense of things, to report, describe and explain the world; which itself may be at the core of our social and cultural needs, perhaps the basis of society and culture – the need to bring order to our lives...
The opening of NeueHouse Hollywood on the West Coast—their second location—would warrant our attention regardless of any new piece of art attached to it. After all, since its first location opened in Manhattan in 2013, NeueHouse has been a hub for celebrities,...
Ceramics are all the rage these days, and certainly it’s a tradition richly steeped in ceremony, especially as it applies to Japanese ceramic work. Art star Takashi Murakami has assembled a group of artists who not only push the boundaries of possibility within the...
The weather may be catastrophically portentous in Los Angeles; but, absent a 9 or 10 Richter scale earthquake or a tsunami that drags Santa Monica out into the Pacific, the show must go on (hey this used to be Hollywood). You may or may not be going out to see and...
"States of Being" currently on view at Torrance Art Museum examines the nature of existence not so much as a physical inevitability, but more as a phase or process by which each of the artists included, expose themselves through their work at pivotal moments of...
Red-on-red is difficult to pull off, yet James Hayward makes it work beautifully in his most recent survey entitled "At Last" at Roberts & Tilton where an entire room is painted red to showcase his very dense red paintings. And that's just the side gallery....
There was astonishing buzz around Philippe Quesne’s La Mélancolie des Dragons at REDCAT last Wednesday night; and as a sucker for avant-garde theatre, I simply had to be there, heat or no heat. I felt cooler just looking at the stage set, which resembled a forest...
<p><em></em><em></em>As lookers and lovers of contemporary art, we too often encounter millennial artists making work as willing (or proud, even) participants in a culture of banality. That is, the isolation and presentation of...
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