Different memories within each of our lives are associated with some space and with distinct details that carry the narrative of any specific occurrence. In Augusta Wood’s second solo exhibit at DENK, “The Shape of My Head,” the environment becomes the storyteller of...
Dear Reader, The inimitable philosopher Walter Benjamin wrote On The Concept of History in 1940 while fleeing the Nazi death machine and his words have never been more prescient: “The tradition of the oppressed teaches us that the ‘emergency situation’ in which we...
NEW FAIRS IN TOWN, PART 2 I don’t know about you, but Yours Truly is still recovering from our robust art fair season, when for one weekend in February we had five fairs bubbling up around the city. Seeing wonderful work was bliss, driving through traffic in the rain...
You consider yourself an influencer. A few thousand Instagram followers agree. Photos of your cocktails, your midcentury furniture, your body moving through museums, through notable cities, sitting in international airports. It’s February, and @you are landing back in...
Congratulations to our winner Lisa Adams and our finalists. Adams photo is seen above and first in our photo gallery. Her image is also printed in our May/June issue of Artillery. The following photographs are the finalists from our May/June contest. Please see info...
The University Art Museum (UAM) at California State University, Long Beach (CSULB) recently hosted artist lauren woods’ (lower case intentional, per the artist) project, American Monument 25/2018, an ongoing intermedia monument to Black lives taken by police...
In 1969, the Black Panther Party began its Free Breakfast for Children Program in Oakland, CA, providing healthy meals to hungry school kids in disenfranchized black neighborhoods. It quickly grew into a nationwide program and proved so successful that then FBI head...
In concurrent exhibitions at Craft Contemporary, Los Angeles–based artists Beatriz Cortez and Rafa Esparza resist political declarations of border wall funding emergencies that reflect converging agendas and legacies of colonialism, nationalism, racism and capitalism....
Imagine you check your mailbox to find a neatly folded copy of The New York Times waiting for you, its headline reading, “Herr Hitler’s Nazis Hear an Echo of World Opinion.” Wait. What? A double-take ensues as you encounter Susan Silton’s most recent work of art. As...
On February 15, 2019, President Donald Trump issued a fake declaration of a national emergency at the southern border of the U.S., claiming that criminals and drugs were infiltrating into the country at record levels—a blatant lie. In fact, illegal border crossings...
Eighties nostalgia is a sad and sick thing. In Dazed and Confused, Richard Linklater’s early-’90s exercise in ’70s nostalgia, the character Cynthia (played by Beck’s future wife!) explains her Every Other Decade theory thusly: “The ’50s were boring. The ’60s rocked....
You know the photo. Times Square. 1945. V-Day. A male sailor hugging and kissing a female nurse in fervent joy over the end of World War II. An immense sculpture of the kiss seen ‘round the world, Unconditional Surrender, would later settle in Sarasota, Florida. In...
Ron Ormond is not the sort of filmmaker who usually gets prestigious restorations. His most famous work was a series of Lash LaRue films. He made forgettable low budget films and produced roller derby for television in the 1960s. When he grew tired of that, he started...
DEAR BABS: If an artist wants to make a work of art, say put something up in public, or appropriate an image, or orchestrate a prank, or just... ya know... do something that’s likely to draw attention from the police, what should they do if they need legal advice?...
Irene Tsatsos is the director of exhibition programs and chief curator at the Armory Center for the Arts in Pasadena. Sandra de la Loza’s current beautiful photographic exhibition “Mi Casa Es Su Casa” seems highly prescient. How did it come about, and how do you feel...
How do you disappear when you’re already invisible? The unnamed narrator/protagonist in Ralph Ellison’s Invisible Man (1952) would answer by instead choosing to reappear to awaken sleepwalkers from their racist straightjacket. Similarly, selected artists in the...
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