Silke Otto-Knapp’s paintings of cascading, roaming bodies feel as if they washed up on the shores of my mind like sedimentary particles— suspended and unsettled bits of matter that float and sink. Memories behave like mollusks, secreting trails of life, fading traces...
PICK OF THE WEEK: Silke Otto-Knapp
PICK OF THE WEEK: Reggie Burrows Hodges KARMA
Memories appear shaky and cinderous, meteoric contusions of being and becoming, volcanic rumblings of the self, perpetually oozing and calcifying. Artist Reggie Burrows Hodges imagines psychic realms knotted and stretched by the spirals of space and time—warped and...
PICK OF THE WEEK: Keegan Monaghan Parker Gallery
Keegan Monaghan's paintings feel like the moldy nooks and crannies of a house or a well-worn shoe, rendered in epic and compact proportions. Their compositions shiver with an eerie affection akin to the apparitional creaking of my old, poorly insulated apartment. The...
PICK OF THE WEEK: Another World Los Angeles County Museum of Art
Captivated by the spiritual and vibrational aspects of the natural world, Agnes Pelton renders the invisible forces that surge through life. While Pelton is not the only artist included in LACMA's survey exhibition "Another World," she is the most compelling and...
Layering Subjectivity Q&A with Zoe Walsh
Zoe Walsh is a Los Angeles–based painter originally from Washington D.C. They received their BA from Occidental College and Masters from Yale University. Represented by M+B Gallery, Walsh has exhibited their work in group shows around the world. In 2019, they were...
GALLERY ROUNDS: Loft at Liz’s Group Exhibition "Diverted Destruction 15: The Demolition Edition”
Co-curated by Liz Gordon (of Loft at Liz's) and Monique Birault, the 15th iteration of Gordon’s ecologically driven “Diverted Destruction" is both exciting, and more visually spare than past exhibitions. Rather than filling the main gallery space with smaller pieces...
RICHMOND, VA: Diego Sanchez VISUAL INFORMATION
“One of the things I teach my kids is to be playful in their approach,” says painter and teacher Diego Sanchez. This freedom to experiment takes the pressure off and opens up the work in unexpected directions. It’s an attitude that has served Sanchez well in his own...
PICK OF THE WEEK: Victoria Gitman François Ghebaly
A series of precious objects rendered in oil paint requires your intimate proximity. Tiny tactile paintings of levitating furs, beaded coin purses, costume jewelry and sequin fabrics depict trompe-l'oeil images of feminine objects commonly associated with glam,...
GALLERY ROUNDS: Jonas Wood David Kordansky Gallery
Jonas Wood’s highly patterned and flattened paintings take up all four gallery rooms at David Kordansky Gallery. Evoking the decorative arts, their inherently “attractive” quality reminds one of a painted mosaic. Wood created this affect by using deliberate linear...
OUTSIDE LA: Gosha Levochkin The Hole, New York
Kicking off 2022, New York’s The Hole has debuted a solo show from Gosha Levochkin, the gallery’s first with the Russian American artist. Wild, vibrant and interminably buzzing, Last Element is rife with bright constructivist shapes, cartoonish figures and references...
GALLERY ROUNDS: Ilana Savdie Kohn Gallery
Ilana Savdie’s first solo show with Kohn Gallery comprises 13 canvases and nine works on paper. Savdie uses vivid color, structure and composition to explore ideas of a liquid world as a metaphor to an ever-changing identity. The title of the exhibit “Entrañadas”...
The Spiritualized Landscapes of Hung Viet Nguyen DEVOTED TO NATURE
“Art is a universal language,” Hung Viet Nguyen says. “And when I came here as an immigrant, my English language was not that great. My strength was in painting. I slowly convinced people that my art is my language.” Nguyen came to the US from Vietnam in 1982, with a...
CODAworx Takes Over the Desert Extreme Public Art
CODAsummit 2021 was marked by an in-person conference in Scottsdale, AZ which coincided with the dramatic light/art/water event titled Canal Convergence. While there was a COVID-friendly digital component for those not in attendance, the turnout was relatively...
Remarks on Color: Recalcitrant Red January's Hue
Recalcitrant Red has gone on strike once and for all, having shirked his usual duties which include the setting of campfires, blood drives, Naugahyde sex parties, riots and any activity where the devil is set to make an appearance. Recalcitrant Red has turned his back...
Pick of the Week: Lindsay August-Salazar Lowell Ryan Projects
Few grasp the power of language to be visually enthralling while expanding our consciousnesses as well as Lindsay August-Salazar, whose solo show at Lowell Ryan Projects, “There’s No Place Like No Place” brings these questions to the forefront. Employing vibrant color...
OUTSIDE LA: Jennifer Bartlett Locks Gallery, Philadelphia, PA
Various sizes of square panels mostly covered with dots with groups of parallel lines and occasional fields of paint line the gallery walls of Locks Gallery in Jennifer Bartlett's installation "Recitative"—its title derived from a rhythmic free form vocal style of...
Remarks on Color: Timid White and Bruised Sand: A Conversation Remarks on Color
Considering the world today, it’s no wonder you’ve begun to peel, to pull away from your respective homes, to hide from the tremors, quakes and quick-sands of the living world. We are all guilty of something. We have all fallen under at some time or other, curling in...
Pick of the Week: Unseen Picasso Norton Simon Museum
My first review for Artillery Magazine – almost two years ago now – was for my favorite museum in southern California, The Norton Simon. I recently went back and reread that article, and I found that my own writing was, to be kind, academic. Dry as a bone, really....