The photographic tableaux of Los Angeles–based Parisian transplant Reine Paradis evoke an ambiguity of place. The central focal point of each is a solo figure, played by Paradis, typically costumed in an A-line mini or similarly chic garment fashioned from transparent, tinted PVC; she is most often posed humorously or awkwardly—sometimes, heroically—in an iconic landscape, accompanied at times...
“Made in L.A.” has finally hits its stride—this fourth edition feels fresh with discoveries, both of artists you may know and many you may not. It features 32 artists, from emerging ones with promising talent to the exciting re-emergence of an artist who fell from the public eye for several decades—Luchita Hurtado, age 97. In the last two years, Hurtado has had two shows, but her last solo show...
How to describe Gretchen Andrew’s practice? Her website proclaims her a “search engine artist and internet imperialist who programs her paintings to manipulate and dominate search results.” Piggy-backing on the Google phenomenon, Andrew has slyly infiltrated the World Wide Web. For example, an image search for “powerful person,” which one would expect to produce images of presidents and world...
This week’s announcement that Klaus Biesenbach, director of New York’s PS1, the Museum of Modern Art’s satellite in Queens, was chosen to be the new MOCA director was greeted by mixed notices among the LA art community including: “He never smiles.” True if he’s judged by his photos. Biesenbach, who is the Godfather of the Berlin Biennale, was quoted as saying LA reminds him of a “new Berlin.”...
When I learned of the news that Jonathan Gold had passed away, I was at a memorial for a dear friend—what a cruel irony. It came as a shock to me as I had interviewed Jonathan in late May for Artillery’s food issue. Gold’s name is emblazoned in black-and-gold letters on the cover of our current July/August issue. Besides the weirdness of having an interview with someone that has since died, it...
In the late winter of 2019, I became enamored with Joan Didion. I and my then partner were driving the backroads of Tennessee and North Carolina as a leg of a cross country move from Portland to Philadelphia. Somewhere along our trip I picked up a copy of South and...
In Laguna Art Museum’s 10 years of mounting its annual Art & Nature installations, a consistent theme has been the preservation of our planet. In this year’s version, the museum celebrates the beauty of nature while artfully addressing environmentalism and...
Forever enchanted by Francesca Woodman’s photographic realms, I trace her contorted, fluttering body in the passing shadows and opaque reflections of her self-portraits–I see a witch, a siren, a spirit, a saint, a veiled apparition. Woodman’s body is simultaneously...
The first word that comes to mind to describe "In Praise of Shadows" is ‘immense’. This may be what is expected from an artist’s thirty-year retrospective, but William Kentridge is not just any artist. The South African artist is prolific, and this show captures the...
For those already acquainted with Elaine Cameron-Weir’s practice, her recent exhibition “Exploded View / Dressing for Windows” at Hannah Hoffman Gallery feels familiarly sterile and sacred, mechanical and magical. Clusters of assemblage sculpture made of concrete,...