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At the Getty, two exhibitions of works on paper examine process and technique while presenting disparate views of peasantry. The Getty Research Institute's "Käthe Kollwitz: Prints, Process, Politics" comprises over 50 prints, preparatory drawings and studies by...
Enchanting objects spill from tiny containers in "The Box Project," an unconventional show of 76 artists from three countries. These artworks were not originally intended for public display; rather, they were created as part of an esoteric correspondence between three...
Distributed across the otherwise empty gallery spaces (there is nothing on the walls) are carefully placed, custom-designed wooden tables. Atop each table is a specific arrangement of artist's books by the painter Laura Owens. The presentation is inviting as the books...
The paintings in John Currin’s show at Dallas Contemporary, a non-collecting warehouse museum, widely induced a queasy, unsettling tension. A common response to the artist’s work, the visceral repulsion and simultaneous attraction result from an unresolvable friction...
Two weeks after the exhibition “Thomas Joshua Cooper: The World’s Edge” opened last fall at the Los Angeles County Museum of Art, The New Yorker magazine published a piece by Dana Goodyear titled “The Ends of the Earth: Thomas Joshua Cooper risks his life to...
“Elegy,” the title of Cynthia Daignault’s show, referenced Robert Motherwell’s 1948-1967 “Elegies to the Spanish Republic.” In contrast to his abstractions mourning the results of the Spanish Civil War, her representational portrayals lament the passage of time, with...
Upon entering the gallery it is hard not to do a double-take. Seated, hunched over on the railing that parallels the entrance is a life-sized figure, the artist’s doppelganger. This crocheted replica dressed in his signature clothing— a blue t-shirt, black Levi’s...
Even in a white cube, there is always an element of architectural engagement to grapple with when laying out out an exhibition. But when the exhibition space is not a white cube -- and moreover, when the venue itself is a storied architectural landmark, such as the...
“How to Fall in Love in a Brothel” offers a mix of the experiential and the conceptual, expressed as an interactive sculptural installation and an HD video. A collaboration between artists Ellen Sebastian Chang, Sunhui Chang and Maya Gurantz, the idea of a “brothel”...
Both literally and figuratively, it feels as if Photography Beyond the Surface serves as a portal to a new dimension in photographic art. The group show includes innovative, exciting work by eight photographers, including a survey of Melanie Pullen’s work, Joni...