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Upon exiting the newest exhibition at the Norton Simon Museum, “By Day and By Night: Paris in the Belle Époque,” each visitor is invited to take a print of Henri de Toulouse-Lautrec’s Red-Headed Woman in the Garden of M. Foret. This print is especially fitting as a...
In the haunting group show The Nothing That Is, now at the Brand Library and Art Center, curators Yaron Dotan and Christine Rasmussen have shaped a powerful exhibition that takes as its inspiration a Wallace Stevens poem that suggests viewers behold “nothing that is...
At a distance, the paintings in Linda Besemer's show, "An Abundance of Errors," appear to be large-format prints of digitally derived geometric designs. Indeed, they were initially devised on a computer; but the paintings' true tactility manifests itself as you...
There are so many good shows right now at the Vincent Price Art Museum that it's impossible to choose just one. "Images of the Divine in Everyday Mexico" comprises retablo and ex-voto paintings from the early 19th to mid-20th centuries. Mostly wrought on small sheets...
You don’t need to read the press release to know that Russell Crotty has outer space on the brain. The work currently on view at Shoshana Wayne Gallery was inspired by a residency at an observatory, and it shows. In mixed media paintings from the last two years, a...
Titled "The Sick Rose" after William Blake's 1794 poem and engraving, LA painter Laurie Nye's current exhibition is like a garden of botanical specimens evoking romance and malady. Describing a rose afflicted by the pernicious love of an invisible worm, Blake's...
Iranian American stitch painter Ardeshir Tabrizi's new works on show at Roberts Projects reflect his remarkable journey to reconnect with his Persian roots. Born in Tehran, Iran, he left the county with his family at age four in 1986 during the Iran-Iraq War and...
“Blessed are the meek…” – Gospel of Matthew, 5:5 Has Theaster Gates truly “upcycled” his entire wardrobe as a spiritual gesture and a means of achieving transcendence? Perhaps he has. But in the most literal sense, Gates has taken the raw material of his sartorial...
The 22 representational paintings, drawings and prints comprising Vincent Valdez’ show, “It Was Never Yours,” symbolize American decline and apprehension with varying degrees of overtness. The Houston-based artist’s occasional flirtations with obvious content, such as...
It is hard to imagine living in Los Angeles and not being acquainted with the work of Kenny Scharf. His comic style, painted murals of interlocking faces, often derived from television and pop culture icons have adorned numerous buildings as well as individual’s cars...