The day I sat down to write this opinion piece, I was moved to do so by a feature in The New York Times that both irritated and alarmed me. “Now Virtual and in Video, Museum Websites Shake Off the Dust” the headline read, and the text informed me that the Louvre, our National Gallery in Washington, the Courtauld Institute in London and the Metropolitan Museum of Art in New York were putting...
Pomp & Zoom Spring usually heralds a spate of art-school grad ceremonies and shows—the equivalent of debutante balls for young artists and designers trained at our august art schools. This year with shelter-at-home and social-distancing mandates in place, there will be no crowds gathering in an auditorium or on a sun-speckled lawn, no mounting the dais as your name is called out,...
Red is a color that should never be messed with, diluted, bastardized, cross-pollinated or otherwise appropriated, which calls into question the reason the color oxblood exists at all. If you cut open the belly of an ox, would the seepage of viscera reveal this sickly, mutant shade, like blood mixed with fecal matter? I imagine most ox would find this offensive. Blood is a substance that...
On the weekend before everything locked down in Los Angeles, I was fortunate enough to catch the exhibition "To View a Plastic Flower" at the Los Angeles Municipal Art Gallery and to hear one of the featured artists, Vietnamese American artist T. Kim-Trang Tran, discuss her three-channel video installation, Movements: Battles and Solidarity. The installation coalesces three seemingly disparate...
Editor's Note: In lieu of our usual reviews and gallery rounds, we will be running a special SHELTER-IN-PLACE series for the duration of social distancing. This series will focus on that which can be enjoyed from home: musings on stream-able films, online art, and memoiristic reflections on colors and craft. Thanks for sheltering with Artillery, and we hope to see you at our usual gallery rounds...
Over the course of a single day, a man saws a house in half. A silent and extremely filmic flickering of light and shadow, hand-held shake, spliced establishing and detail shots, and occasional shirtless cameos by the artist and his assistant, filthy with house-innard...
The people depicted in Ally Rae Peeples’ exhibition “Crowd Surfing” resemble how they might see themselves while on hallucinogens or in a house of mirrors, where bodies become distorted, facial expressions are exaggerated, and distinctions between figure and ground...
Incorporating sound, painting and sculpture into his work, Santipreecha addresses political histories and climates from a range of places through his methodical, layered process—an engulfing triptych responds to the war in Ukraine, a cement painting probes the history...
An avowed pacifist and activist, Pedro Reyes is known for his sculptures that subvert the potential violence of guns by transforming them into shovels for planting trees or musical instruments played in performance. In his current exhibition of recent sculptures and...
One expects certain things from a good ceramic biennial: personal visions, agile skill sets, revelatory juxtapositions, and an insightful contemporary theme to weave them all together. Happily, this third iteration of the clay biennial at the Craft Contemporary,...