Dr. jack Kevorkian, the infamous “Dr. Death” who passed away in 2011, sits somewhere in the public consciousness between the Unabomber and Mother Theresa depending on whom you talk to. The physician served eight years in Michigan State Prison for second-degree murder (assisted suicide) in 1999, after facilitating the deaths of approximately 130 patients. Gallerie Sparta in Beverly Hills showed...
I have often been encouraged to launch a Kickstarter campaign, but I have never been able to decide on a specific project that justifies urging potential donors to dig deep into their pockets on my behalf. There are so many Kickstarters these days and there is only so much money: One has to be selective about one’s contributions, and if one embarks upon such a campaign, it had better be for a...
With her “Untitled Film Stills,” Cindy Sherman played with the idea of the Hollywood sex symbol; she disappeared into one role after another, showing how art and film noir convention could collude to create sex appeal from the trappings of innocence and repression—and from the beauty and implicit dangers of dark shadows, startling camera angles, the open road and the American city.Now a genuine...
THAT WAS THEN THIS IS NOW. Ed Ruscha’s lithograph and the banner image for his 40-year survey at Gagosian Madison Avenue says it all: it was a different art world when Ruscha arrived in Los Angeles in 1956. Now, he’s blue chip and according to my editor, a celebrity—the inverse to the James Franco phenomenon. We’re shuffling through the names of various uber-successful artists, attempting to...
Editor’s Note: With the highly-coveted Pritzer-Prize awarded this year to architect Shigeru Ban—known just as much for his disaster relief projects and elegant, temporary paper-tube architecture as for his commercial and institutional works—we asked Martina to weigh in on the redefinition of “star” architecture in our age of instability.At the 2008 Venice Biennale, starchitects Frank Gehry and...
The image of “the road” is one of the metaphors most deeply embedded in the American cultural landscape, perhaps most poignantly for the inter-war generation that produced both Dennis Hopper (born 1936) and Jack Kerouac (born 1922) among so many others.Beginning in the early 1960s, Dennis Hopper produced a rich body of photographic work that has garnered ongoing critical and scholarly attention,...
Contact: Melinda Machado Media Contact,National Museum of American History T: (202) 633-3129The National Museum of American History to Exhibit Artworks by Presidents Dwight D. Eisenhower, Ronald Reagan, and George W. BushThe National Museum of American History is pleased to present Presidential Pictures: Paintings & Drawings by Dwight D. Eisenhower, Ronald...
If you have not seen Ryan Trecartin’s videos, imagine flipping at break-neck speed through 500 channels of reality TV contestants in garish makeup reading random fragments of text from the Internet out loud. More readily, you could also just go check them out on Vimeo where they reside just as comfortably as they do in an art gallery: maybe more so. In a sense, they practically are the Internet....
One thing that came across in Jeff Koons’ recent Broad-sponsored (“Un-Private”) conversation with John Waters was a sense of the satisfaction Koons took from his work as a bond salesman and commodities trader on Wall Street. His fascination with commercial exchange began early, while still a boy, selling items door to door. He has been fascinated with selling – and what sells – ever since. ...
Mike Kelley participated in our Guest Lecture series by providing this spread that he designed specifically for the centerfold of our March/April issue of 2009. John Waters is also the featured cover story in this very special issue.
All good art has at its core an essential moment of transmutation, a point at which the object and the idea which informs it fully coalesce. The essence of the object—whether it’s a painting or a bag sculpture—versus the impulse to create it in the first place are the...
A new suite of swimming-pool themed paintings by Brandon Lipchik look like everything but what they are. Their physical surface textures are varied from shape to shape, and even more so the range of techniques employed in each image. Their reductive geometrical and...
Mari Evans’ poem, “I am a Black Woman” was resurrected through the “Passion Power Prayer” exhibition at Band of Vices, featuring abstract paintings by Lisa Diane Wedgeworth. With a singular vision her works extend an invitation, as in The Matrix (1999): to take the...
While an artist-in-residence at Artpace, in San Antonio TX, Elana Mann created work for her exhibition “Year of Wonders.” Executed during the height of the recent pandemic and inspired by Geraldine Brooks’ Year of Wonders (2001) that focused on the 1666 pandemic...
In “Sanctuary of the Aftermath” at Angel’s Gate Cultural Center in San Pedro, curators Jason Jenn and Vojislav Radovanovic give viewers a lush, graceful experience with poignant experiential moments. Comprising 10 multimedia artists—David Hollen, Ibuki Kuramochi,...
The silencing of protest is the hallmark of authoritarian governments. While often this silencing can be very bloody, the most effective form of violence is legislative. The fight for democracy in Hong Kong – and the accompanying crackdown – is a prime example of how...
What happens when you are trapped inside your home with those you love? As the pandemic begins to wane, some artists are reflecting and exploring the dynamics and conditions of the confinement we experienced last year. Elizabeth McIntosh’s solo show “Family” at Tanya...
The "17th International architecture Exhibition of Venice" is one of the first international events opening in time of COVID-19. The open question that Hashim Sarkis, the artistic director of the current Biennale Architettura, articulates in his proposal seems to be a...
Lawrence Calver’s first US show at Simchowitz Gallery, “On the Off Chance,” is one of the most fascinating studies in material of any show in Los Angeles that I’ve had the chance to review. Calver is not a traditional fine artist; his background is in creative...
Two side-by-side paintings face the gallery's front door, awaiting visitors like sentries. They have all the elements that characterize Naotaka Hiro's "Armor" exhibition, namely colorful swatches and fervid mark-making that expands from a vertical center line. The...