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Articles
WHAT ARTISTS WEAR
ARTIST TAKEOVER Brett Westfall
CHLOE SHERMAN RENEGADE Interviewed by Ezrha Jean Black
The first thing that catches my eye upon walking into the Von Lintel Gallery for an exhibition of photographs from Chloe Sherman’s renowned 1990s series “Renegades” is a large black-and-white print (17.3 × 24 in.) of a half-dozen young women, perhaps in their early twenties, lined up at the counter of a coffee bar, butch-femme-styled in casually improvised variations inspired by everything from...
IN SEARCH OF A CITY
Summer is museum season. I’m writing this in early August, a month during which the Angeleno art viewer’s options are fairly clear: Sweat it out on Melrose in pursuit of every lackluster group show; escape to the beach, like the dealers who phoned in those group shows from the shores of the Adriatic (I prefer the South Bay); or spend the day at MOCA, where admission is free and the air is a...
STAYING SANE(ish) WITH DR. TRAINWRECK — (print exclusive) Remember the Plan?
Remember I had a plan to discuss overused and oversimplified terms in a way that anyone can understand? In an accessible, user-friendly but without being patronizing manner. Well fuck that. I quote NWA: “Fuck crossing over to them; let them cross over to us.” And to that end, I beseech you to remember how powerful words can be. How much we can achieve with a well-placed comma, and how many...
Reviews
LEE FRIEDLANDER at Castle
In the shadow of social media, describing a nude portrait of a woman as “authentic” or “not performative” is often a subliminal way of acknowledging that the image has been composed according to an “alternative” set of stylistic constraints: soft, flattering lighting;...
YANG FUDONG at Marian Goodman Gallery
Yang Fudong’s "Sparrow on the Sea" drifts like a fugue. Commissioned for the LED façade of M+ museum in Hong Kong, the silent, black-and-white film now plays in L.A. with full sound, anchored in a dream logic that warps memory and time. Three actors of different...
DON BACHARDY at The Huntington
The wall text for “Don Bachardy: A Life in Portraits”—an exhibition at The Huntington featuring over 100 drawings and paintings—asserts that Bachardy persisted in creating portraits during a time when art was more experimental and less representational. I felt that...
JORDAN ROUNTREE at Baert Gallery
When we are small, adulthood comes to us in impressions: a staticky scene from a horror film, an overheard whisper. As adults, we see childhood memories through a similar film. “I Hear a New World” seamlessly weaves together these visions of curiosity and nostalgia....
DUELLING REVIEW: Viola Frey at The Pit
When The Pit announced a show by the late ceramicist Viola Frey, it piqued my editorial interest. I myself first became aware of Frey when I began taking ceramics courses with other sculptors, who would often speak of her as a totemic influence on their practice and...