Karen Finley’s The Expanded Unicorn Gratitude Mystery unfolds similarly to a dream that makes complete logical sense when experiencing it, but is difficult to piece together the linear structure upon waking. The one-woman show lasts for an hour and a half (no intermission) and I was impressed by the endurance and vitality of the sometimes-panting, sometimes-yelling, always passionate Finley. The...
I have had the opportunity to visit the Venice Biennale on numerous occasions. In reflecting, I realize that what makes one trip stand out over another is the totality of the experience and not the specificity of the art. How can one not love Venice? Navigating criss-crossing bridges and canals to find an installation that completely takes over and transforms an ancient palace is always one of...
In Sandra de la Loza’s art, research—what she calls “the archive”—is central to her process. Treating archival material as mutable; she relies on it to expand narratives about history. She is also involved in community activism. Not everything she does is art, or at least happens in that context. But if art serves as a metaphorical megaphone, she uses it to broadcast loudly, aiming to erase the...
Ana Serrano’s colorful cardboard sculptures of cityscapes and buildings, inspired by Latin American vernacular architecture, will be featured prominently this fall in two PST: LA/LA exhibitions. “The US-Mexico Border: Place, Imagination, and Possibility” at the Craft and Folk Art Museum will include her sculptures Cartonlandia (2007) and Chalino (2008); additionally, several of Serrano’s smaller...
When I heard the title of Jose Dávila’s recent book, Daylight Found Me with No Answer, it sounded familiar. During the years I was living in Guadalajara, I frequently talked with Dávila and other mutual friends at endless parties that lasted until dawn. But I hadn’t seen Dávila since those distant days and this was the first time I had ever paid him a studio visit. He was finishing a public...
Every morning I wake up and see At Home with the Nortes (1990). In this black-and-white photograph, a family sits in the living room watching television. This could be construed as a typical family activity, but the family is hardly typical in Laura Aguilar’s depiction. Each face of its four members—two young boys, father and mother—is made up in the style of the Mexican Dia de los Muertos. The...
Even more than its predecessor, the first Getty Pacific Standard Time initiative that ignited Los Angeles’ arterati six years ago, PST: LA/LA conjures a kind of Aleph-like quality in its ambition to encapsulate at its widest points the art of an entire continent, an archipelago of islands, and the appended LA metro region. Geographic and other (cultural, historical, colonial, identity, conquest)...
Mid-Wilshire 1301PE Jorge Mendez Blake 0/9–10/21/17 1301pe.com Sprüth Magers, Los Angeles David Lamelas: “Time as Activity” 9/7–10/21/17 spruethmagers.com The Loft at Liz’s “South of the Border” 10/8: 7–9pm: author Eileen Truax panel discussion 10/17: 7–9pm: “Alienated” special performance by Johan Miranda theloftatlizs.com JACK RUTBERG FINE ARTS Hans Burkhardt in Mexico 9/23–12/23/17...
Dr. Lourdes I. Ramos was recently appointed as President and CEO of the Museum of Latin American Art in May. Previously, she served as Executive Director and Chief Curator of the Museo de Arte de Puerto Rico for 12 years. She is the first Latina to hold the position at MOLAA. How has the museum field recently changed for women, specifically Latina women? The presence of Latina professionals in...
Holland has an illustrious past and rich history in art, from golden age painters Rembrandt and Vermeer through modernist legends van Gogh, Mondrian and the de Stijl group, Cobra Dutch artists and expatriate Willem de Kooning, to enigmatic Conceptualist Bas Jan Ader, who disappeared in 1970 sailing a small boat across the Atlantic Ocean. Today, there is a thriving art scene centered around...
In swirls of citrus yellow and lipstick red, a neon sign just inside the entrance proclaimed: My Body My Choice, Her Body Her Choice. The words of protest—framed by recycled cardboard to echo the font’s curvaceous forms—seemed to flash a prescient warning the day the...
“Working Together: Louis Draper and the Kamoigne Workshop” is a photography exhibition on view at the Getty Museum that chronicles the history of an extraordinary partnership of Black photographers. Founded in 1972 by Louis Draper, the Kamoigne Workshop was a...
This edition of Pope.L’s thinning theatrics presents a series of immaculate white shacks, their size of a two-holer, containing a carpeted bench, where viewers may test the limitations of their endurance. An unsuspecting and luckless couple may sit together in one of...
In 2011, Melanie Willhide experienced the theft of her computer and back-up drives. Once these items were recovered, she discovered her files had been corrupted. Rather than abort the project she was working on, she embraced the glitches now embedded in her images and...
In his current exhibition, the artist’s fifth at this gallery, Adam Parker Smith employs classical sculptural forms in a fresh new way, featuring six large sculptures, approximately 35-feet or one cubit diameter. Working in white Carrara marble on a stone pedestal,...
In his current show, “The Adult Light,” Sergej Jensen seems intent upon demonstrating his capacity for conventional, gestural painting (and for that matter, chromatics), as well as the subtle auto-constructions of stitched and collaged fabrics and pigments he is...
Since 1985, Theodore Svenningsen has been working sporadically on “Primitive Structures,” an ongoing series of paintings, mostly black and white, that are seductive at surface level, yet purposefully unsettling upon closer inspection. When viewing the 12 works from...
The elusive relationship of the brain and the mind has always fascinated without ever quite being resolvable. It is as though we collectively hold the convoluted gray mass that constitutes the brain in suspension with respect to its relationship to the entity whose...
“Alternate Realities” at the Norton Simon Museum presents the work of four California painters from the mid-20th century: John Altoon, Richard Diebenkorn, Frank Lobdell and Emerson Woelffer. These artists formed part of the California version of Abstract...
Works on paper by Russell Crotty are a mix of travel journals, celestial cartography, landscape sketches, stream of consciousness narration, auric cross-hatched impressionism, and sculptural installation. Their palette is that of desert and the night; their imagery of...