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Kim Rugg at Mark Moore Gallery Kim Rugg dismantles and reassembles things—mostly words and images, including newspaper articles, magazines, cereal boxes, stamp and now maps. “Rendering their original content meaningless,” Rugg teases out new and sometimes...
Martin Mull, “State of the Union,” 2013. Oil on linen, 50 x 60in Martin Mull at Samuel Freeman Accurately representing the human experience in this day and age presents unusual complications—mainly because the business of being alive today is painful on a collective...
“Western Noir,” an exhibition featuring Eric Nash's newest paintings are currently on view at Skidmore Contemporary Art at Bergamot Station in Santa Monica. At first glance, his work brings to mind “Old Hollywood” featuring a youthful, yet noir-infused Los Angeles:...
In Scott Stark’s The Realist—fresh off premieres at the Toronto and New York film festivals, and screening later this month as part of a REDCAT nano-retrospective of Stark’s three-plus decades of tenacious experimentalism—a gaga pair of drop-dead gorgeous...
The title of Iva Gueorguieva’s show “Spill/Frame” seemed almost a naked admission of its strategies and ambition with a concomitant risk of crashing, careening failure. In almost all of the works on view there was both a willful, self-imposed notion of the edge or,...