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Lesley Vance’s work may at first read like Diebenkorn in miniature, but her solo show quotes midcentury abstraction in a distinctly Reagan-era palette; little messages from the 1960s retold in twilight Cold War parlance. The gallery walls nearly swallow her small...
When not sure what to say or write, one might fill space with “x x x,” “blank blank blank” or “. . .” Petra Cortright titles her recent exhibition with all three—“x x x blank blank blank . . . ”—alluding to casual causality and ideas that will be completed...
The art of Lynn Aldrich celebrates and extrapolates on the ordinary. She focuses on objects from the world of everyday life to both transform them structurally and insinuate a sense of larger mysteries. She takes utensils and garden-variety household items and through...
The sprawling Charles Dickson retrospective, dispersed throughout the Purifoy Gallery at the Watts Towers Arts Center and the Mingus Gallery in the Charles Mingus Youth Arts Center, exhibits an artist who knew he was born with a gift and that his life’s work was to be...
Elizabeth McCord’s Big Pink (1951) was the only painting featured in LACMA’s Pacific Standard Time exhibition “Living in a Modern Way,” a sweeping survey of mid-century design. The painting jogged old-timers’ memories and tantalized a younger audience. A recent...