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The art of successful collaboration involves the ability to transcend the individual vision in favor of the project as a whole, and Rochelle Botello and Marion Lane have certainly done just that in their exhibition, aptly titled Double Trouble. Lane’s elegant...
John Altoon couples his relaxed, entirely convincing painterly hand with a flippant disregard for norms whether social, societal or artistic. His retrospective at LACMA cavorts, galumphs and saunters through a wide variety of styles, approaches and modes of...
In much the same way Chris Burden imbues his visual vernacular with his own brand of personal/social provocation, Sean Duffy, in his newest exhibition, aptly titled “Paintings,” at Susanne Vielmetter, shatters the expectation of the pristine sacred surface, electing...
The concentric circle, or target, has been one of the predominant motifs in American abstract painting for the last half-century or more, and, as a result, to wring unexpected changes from it has become increasingly difficult. Gary Lang has made the multi-orbital...
Piggybacking on Kim Stringfellow’s recent successful documentary, exhibition, and publication—JACKRABBIT HOMESTEAD: Tracing the Small Tract Act in the Southern California Landscape—Flora Kao explores and examines remnants of abandoned homes in the Mojave desert, the...