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No doubt The Miaz Brothers (from Venice, Italy) believe in ghosts, weirdly seductive apparitions, or at the very least “antimatter perception.” Indeed the latest installment of their unique vision achieves a fuzzy gratification, deliberately blurring large format...
Rashid Johnson’s newest effort, "Islands," like subsequent exhibitions of his work at the David Kordansky Gallery encompasses a difficult, if necessary journey into and beyond a constructed human identity. In this case, Johnson takes inspiration from the exceptional...
The art of successful collaboration involves the ability to transcend the individual vision in favor of the project as a whole, and Rochelle Botello and Marion Lane have certainly done just that in their exhibition, aptly titled Double Trouble. Lane’s elegant...
John Altoon couples his relaxed, entirely convincing painterly hand with a flippant disregard for norms whether social, societal or artistic. His retrospective at LACMA cavorts, galumphs and saunters through a wide variety of styles, approaches and modes of...
In much the same way Chris Burden imbues his visual vernacular with his own brand of personal/social provocation, Sean Duffy, in his newest exhibition, aptly titled “Paintings,” at Susanne Vielmetter, shatters the expectation of the pristine sacred surface, electing...