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Internationally acclaimed artist Ronald Ventura’s third solo exhibition “E.R. (Endless Resurrection)” at Tyler Rollins Fine Art gallery in New York is his strongest yet. Taking on the deep-set rituals of Catholicism in his native Philippines, Ventura’s combination of...
No doubt The Miaz Brothers (from Venice, Italy) believe in ghosts, weirdly seductive apparitions, or at the very least “antimatter perception.” Indeed the latest installment of their unique vision achieves a fuzzy gratification, deliberately blurring large format...
Rashid Johnson’s newest effort, "Islands," like subsequent exhibitions of his work at the David Kordansky Gallery encompasses a difficult, if necessary journey into and beyond a constructed human identity. In this case, Johnson takes inspiration from the exceptional...
The art of successful collaboration involves the ability to transcend the individual vision in favor of the project as a whole, and Rochelle Botello and Marion Lane have certainly done just that in their exhibition, aptly titled Double Trouble. Lane’s elegant...
John Altoon couples his relaxed, entirely convincing painterly hand with a flippant disregard for norms whether social, societal or artistic. His retrospective at LACMA cavorts, galumphs and saunters through a wide variety of styles, approaches and modes of...