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A trio of sepia-toned photographs, displayed at the entrance of the Leila Heller Gallery, documenting four naked men followed by Western soldiers in a rundown village instantly evokes the horrors of Abu Ghraib. The jarring scene—American soldiers humiliating local...
Julia von Eichel’s wall sculptures (all 2014) are oddly unsettling, with innards that seem to strain against their outer skin and an overall configuration suggesting movement or attenuated growth. It’s tempting to see naturally occurring phenomenon like spores,...
At first, Andrew Dadson’s newest exhibition at David Kordansky, “Painting (Organic),” seems to lack cohesion, with medium and mood shifting frequently. There are three very distinct types of works on display: a collection of photographs hung in a grid formation; six...
It seems every traveler, on occasion, suffers a collapse of time and space. Careening down a hotel hallway late at night, carrying a suitcase whose weight amplifies the exhaustion from hours of cramped travel, one's head begins to spin. Doors, walls, and expanses of...
Ann Chamberlin approaches painting like an alchemist approaches a vile of life-giving succor—with tremendous reverence and passion. The new paintings on view at Lora Schlesinger Gallery mine some of the same archetypal themes she has visited previously. However these...