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"The Slick & The Sticky," a group show co-curated by Vanessa Place, insists adamantly on its own dystopian themes, wherein the works in the exhibition deliberately obfuscate their own suggested meaning. Working off the premise that all language is inherently...
The only quibble I might have with the Getty's excellent show, "Light, Paper, Process: Reinventing Photography," would be that its title is too literal-minded. A show as exciting as this one is might have had a more adventurous title – say, "Back to the Future," or...
Straddling a fine line somewhere between sincere participation and ironic appropriation, Petra Cortright’s multimedia cyberspace art endlessly reflects and redoubles the medium from which it borrows. The Internet is Cortright’s vehicle and content, framed by...
Not that this hasn’t been done before, the theme of “flatness” explored again and again in all its variations, but in its most recent incarnation at David Kordansky Gallery, artists like Tauba Auerbach transform the static spatial plane that is “flatness” into a...
The Venice Biennale, founded in 1895, now includes 30-plus national pavilion spaces in the Giardini area, a mindboggling abundance of ancillary exhibitions (including especially the group show in the warehouse-like Arsenale), as well as a plethora of performance art,...