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Phyllis Green’s “Walking the Walk” consists of sculptural works that also function as garments and performance props. Their use as such is documented by photographs by Ave Pildas with the artist posing and modeling each of the artworks. Toying with the idea of a high...
Harkening to the grace of bygone days when those who wished to communicate with one another would do so by putting pen to paper, East Bay-based artist Gail Tarantino’s “Hand Written” draws content from letters written by the artist to astronomers, naturalists and...
A trio of sepia-toned photographs, displayed at the entrance of the Leila Heller Gallery, documenting four naked men followed by Western soldiers in a rundown village instantly evokes the horrors of Abu Ghraib. The jarring scene—American soldiers humiliating local...
Julia von Eichel’s wall sculptures (all 2014) are oddly unsettling, with innards that seem to strain against their outer skin and an overall configuration suggesting movement or attenuated growth. It’s tempting to see naturally occurring phenomenon like spores,...
At first, Andrew Dadson’s newest exhibition at David Kordansky, “Painting (Organic),” seems to lack cohesion, with medium and mood shifting frequently. There are three very distinct types of works on display: a collection of photographs hung in a grid formation; six...