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An exploration of storytelling through the riotous use of color is at the core of this new body of work by Edith Beaucage. The figures dance about in light delineation embedded in a swirl of audacious swathes of color field painting. “Chill Bivouac Rhymes” is also the...
The ocean sometimes gets the best of those who love it most. The title of Alison Frey Andersson’s exhibition, “86’d” offers a surfer’s take on the hazards of that beguiling body. The Venice-based artist, who regularly succumbs to the pleasures of riding the waves on a...
At first glance the array of objects in Kristen Morgin’s evocative installation “Messages to My Twenty Year Old Self” appear to be those found in a rummage sale: old books and toys, record albums and empty tuna cans, comic books and musical instruments. What is most...
Shana Lutker’s exhibition of new work at Susanne Vielmetter is best understood in the context of her wider oeuvre, which of late has been singularly concerned with the 1920s Surrealists. Each of Lutker’s “chapters” juxtaposes her spare, minimal and conceptual visual...
It’s been said that the first half of the 20th century was Picasso’s and the second half, Duchamp’s. The transition from modernist painting to today’s mixed-media conceptualism is in large part due to a 1963 Duchamp retrospective at the Pasadena Art Museum. The show...