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“A Cold War,” Jamison Carter’s current solo exhibition, and his second with Klowden Mann, revisits dichotomous themes introduced in his 2013 solo exhibition with the gallery, in which he explored the tensions that exist between man’s pervasive desire for advancement...
The series of relatively small digital photomontages Clayton Campbell has assembled under the rubric “Wild Kingdom” satirize social habits—on more than just the most evident levels. The images, all horizontal, consist of wildlife dioramas, the kind that fill corridor...
One measure of a contemporary artist’s success is that he or she allows us to view the world, our history, or ourselves differently; Candice Lin is notable for doing all three. Her mixed-media work upsets epistemological meta-narratives, conflates binaries and revels...
Contrary to certain art historical narratives, painting has never waned, but only been ever more rigorously interrogated—usually by the artists engaged with the medium. Chris Barnard is one of those artists mining and turning over the modernist tropes of figural...
John Baldessari once said that art should make you stop and look as you’re crossing through a museum. Mark Jenkins’ sculpture-installations certainly break one’s forward momentum. On entering the gallery you’re confronted with a clothed leg and shoed foot growing from...