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Looking like contorted urns collapsing inward or twisting outward, the 16 new cup-sized works that comprise “The Weight of Color,” Kathy Butterly’s fifth show with Shoshana Wayne Gallery, demonstrate her strength as an innovator. Working within the confines of a long...
In his essay “The Ontology of the Photographic Image,” film theorist André Bazin observed that image-making was “no longer a question of survival after death, but of a larger concept, the creation of an ideal world in the likeness of the real, with its own temporal...
The individual works in Devin Troy Strother’s 2010 solo debut were tiny spectacles, collages full of frolicking figures and bright shards of colored paper that extended beyond the confines of the frames. In his current exhibition “They Should’ve Never Given You Niggas...
Humor is often a neglected muse in the production of fine art. Seldom is it thought of as a legitimate field of cultural inquiry or a productive platform for the creation of an aesthetic. Los Angeles-based mixed media artist Marc Horowitz, known for his socially...
While it would not be incorrect to say that Kenton Parker’s work primarily deals with nature, it would be rather misleading. There are no polite painted landscapes or photographs of waterfalls or mountain ranges. Cement, cars and trash are just as common as flowers...