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We have abandonment issues lately/forever – desolate, disconsolate and a bit fragile. In Henry Taylor’s painting, that fragility coexists with an incongruous durability – a hard thing that cracks against identity or classification or simply swallows it up. Taylor’s...
If Rebeca Puga's paintings could speak, they might quote, in their collective voice, the Socratic paradox, "I only know that I know nothing." Instead of formulating bold statements, they suggest ineffable speculations.In pencil lines, thin washes, and wobbly...
Photographer Richard Learoyd has returned to the ancient roots of his craft to grasp the materiality of that moment of our impact upon the world, specifically with the camera obscura in its most literal definition – the image received on a large sheet of...
Curated by the New York-based art and fashion magazine collective DIS, The Ninth Berlin Biennale: “The Present in Drag” (or BB9), attempts to examine a “postcontemporary” condition through the presentation of unavoidable inauthenticity. Mostly it consists of work made...
Joseph Stashkevetch is a consummate craftsman, his work suspended effortlessly between drawing and photography. In his recent show at Von Lintel Gallery, the addition of a literal third dimension leverages his simple process (conté crayon on rag paper) into an...