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I’m looking at Second Sight (2016) by Christina McPhee, which carries the same title as her solo exhibition currently on view at Cerritos Art Gallery. This work is an abstract, dense and expressive work on paper: there are marks upon marks, which create a layered...
Sometimes the bravest show can be one that parses its meanings seemingly by millimeters in the sheer sense structures to be elucidated between one work and the next. This is in pronounced contrast to the relatively unfiltered cascades of sensation that dominate many...
"A Noiseless Patient Spider" at Vacancy is an experimental mix of sculpture, painting, assemblage, and installation. It’s surprising for a show in such a small space to pull off so many varying aspects, yet "Patient Spider" does just that. Linnea Kniaz interacts with...
Exiting Electric Earth, Doug Aitken’s immersive, multichannel narrative installation first presented in 1999 and immediately confronting Twilight (2016), an eerie, translucent ghost-like freestanding replica of a now obsolete pay phone that pulsates from light to dark...
Henry Taylor has described his figurative painting, which is not infrequently straight portraiture, as landscape; and to press the point, he has taken the further step of mounting the work within a gallery prepared from the floor up, in effect treating the space as...