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"A Noiseless Patient Spider" at Vacancy is an experimental mix of sculpture, painting, assemblage, and installation. It’s surprising for a show in such a small space to pull off so many varying aspects, yet "Patient Spider" does just that. Linnea Kniaz interacts with...
Exiting Electric Earth, Doug Aitken’s immersive, multichannel narrative installation first presented in 1999 and immediately confronting Twilight (2016), an eerie, translucent ghost-like freestanding replica of a now obsolete pay phone that pulsates from light to dark...
Henry Taylor has described his figurative painting, which is not infrequently straight portraiture, as landscape; and to press the point, he has taken the further step of mounting the work within a gallery prepared from the floor up, in effect treating the space as...
Visual affinities extend throughout Sam Falls’ solo exhibition at Hannah Hoffman, suggesting relationships between natural phenomena and man-made objects, while also developing a thematic unity for Falls’ heterogeneous production. A pair of texturally rich photographs...
A descendent of samurai-era Bizen sword makers, Miya Ando was first introduced to metalworking as a child while living in a Japanese Buddhist Temple. In homage to her ancestral heritage, she has since looked to this medium (whose impermanent properties convey the...