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Sometimes a powerful image is enough – not simply to focus and arrest attention, but to shift the narrative, move the world, or certainly the viewer’s perspective on it. A great image can re-make that world or deliver an entirely new one. The watch word at this moment...
Artist-run gallery spaces perform a unique balancing act. They offer less established artists the chance to refine the nuances of exhibiting work, develop a reputation for reliability, court the other gallerists and curators, and occasionally receive feedback. They’re...
If there is a single word that could sum up the the career of László Moholy-Nagy, it would probably be refraction. The refraction of light is an obvious key, both with respect to Moholy’s overall formal approach and technical approach to his preferred media (and not...
Gisela Colon’s “HYPER-MINIMAL” is a psychedelic futurist’s dream come true. The spacious Diane Rosenstein gallery is divided into a handful of rooms displaying fifteen new works. The works include two freestanding pieces, one of which is the Untitled (Monolith Silver)...
The plaintive title of Llyn Foulkes’ current exhibition – his first for Sprüth Magers – suggests we might be in for some mournful, if not downright bitter, riffs on laboriously trodden themes. This is not necessarily a drastic departure from the surreal dissonance of...