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When Hannah Black wrote in her open letter to the Whitney Biennial curators “it is not acceptable for a white person to transmute Black suffering into profit and fun, though the practice has been normalized for a long time,” she did more than bolster a national debate...
The subject of appearances and disappearances is not new to Edgar Arceneaux – in fact it might be considered a through-line in his work over the years. But Arceneaux is always acutely conscious of the sea-changes of time and history and the chain of causality...
Kristen Morgin’s recent works at Marc Selwyn Fine Art break all the rules, and Los Angeles, the city she’s called home for over 30 years, is her muse and partner-in-crime. Abandoning traditional techniques, the artist creates delicate sculptures with painted, unfired...
A black rain cloud hangs at the doorstep of Shulamit Nazarian’s compelling group show, "Broken Language." The rain cloud—No Pressure (2016) by Wendy White—is a flat, aluminum-composite cartoon of a cloud that hovers at waist-height from the ceiling by nylon rope and...
Kerry James Marshall’s current retrospective at MoCA is less a ‘Pick-of-the-Week’ than a Must of the Year. Regardless of the particulars of each individual’s experience, it is a show that compels serious reevaluation of the historical canon of Western painting (and...