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Revolution and Ritual: The Photographs of Sara Castrejón, Graciela Iturbide and Tatiana Parcero

“Revolution and Ritual,” while very narrowly focused on three Mexican women photographers, seeks to address in broad strokes changes in ideas about Mexican identity through the work of Sara Castrejón, Graciela Iturbide and Tatiana Parcero, whose careers together span...

Kinesthesia: Latin American Kinetic Art, 1954-1969

Kinetic Art, like so many postwar movements, arose simultaneously in several disparate corners of the world, coalesced in the late 1950s and early ’60s, and derived from prewar tendencies whose revolutionary aesthetics and idealistic spirit seemed appropriate to a...

Valeska Soares: Any Moment Now

Brazilian artist Valeska Soares’ mid-career survey at the Santa Barbara Museum of Art, her first solo museum exhibit in the western United States, seamlessly expresses the ephemeral qualities of love and longing, in harmony with and opposition to the weighted—and...

Memories of Under-development

“Memories of Underdevelopment” is a sweeping exhibition composed of 400 objects from more than 50 artists from eight countries throughout Latin America. It shares its title with the 1968 movie directed by Tomás Gutiérrez Alea about the Cuban revolution and associated...

Ahrong Kim

Right as you cross the threshold into Ahrong Kim’s show “Internal Voice” at the Clay Studio, you’re met by five pairs of eyes set into brightly colored teapots resting at eye level on plinths jutting from the wall. The eyes, embedded into fragmented faces, exposed...

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