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Brazilian artist Valeska Soares’ mid-career survey at the Santa Barbara Museum of Art, her first solo museum exhibit in the western United States, seamlessly expresses the ephemeral qualities of love and longing, in harmony with and opposition to the weighted—and...
“Memories of Underdevelopment” is a sweeping exhibition composed of 400 objects from more than 50 artists from eight countries throughout Latin America. It shares its title with the 1968 movie directed by Tomás Gutiérrez Alea about the Cuban revolution and associated...
Right as you cross the threshold into Ahrong Kim’s show “Internal Voice” at the Clay Studio, you’re met by five pairs of eyes set into brightly colored teapots resting at eye level on plinths jutting from the wall. The eyes, embedded into fragmented faces, exposed...
Van Hanos' paintings parodizing partisan preposterousness would be utterly comical if they didn't so mordantly reflect our circusy cultural reality. Cynically dubbed "Late American Paintings," his current show at Chateau Shatto concentrates social discord, political...
In a letter to a fellow Argentine artist living in Paris, León Ferrari wrote, “We produce culture for our ideological enemies, and they gobble everything up, the pretty paintings and the protest paintings alike.” That is the continuing crisis for art that is built...