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Some of us respect what makes people different from one another. By withholding judgment of others, we avoid enveloping them in our own contexts, selfishly assuming their futurities. Yet psychologist Marie-Louise Von Franz asserts, “Wherever known reality stops, where...
Via her expressionistic brush, Judith Linhares teases latent absurdity and uncanniness from hackneyed pictorial genres. Female nudes, sublime landscapes, exotic animals and floral still lifes are jumbled and transposed into worlds of outré wildness. The Pasadena-born,...
Georganne Deen did not become disillusioned by recent geopolitical events—she’s been feeling that way for a long time. It’s just that her newest paintings reflect certain newly topical aspects within the widening gyre of social entropy, expressing in both style and...
The late Mike Kelley's "Kandors 1999-2011" at Hauser & Wirth is literally and figuratively tenebrous. Deviating from Kelley's typical folksiness, this show exudes a clinical coolness. "Kandors" was his final major series. It centers on the fictional metropolis...
Is a collage comprised of assembled painted canvases a collage, a painting, or assemblage art? Does the semantics even matter? “Jabberwocky,” Josh Jefferson’s exhibition at Zevitas Marcus, plays with these boundaries. Jefferson created the collages (the gallery has...