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Martin Soto Climent's exhibition at Michael Benevento is a meticulously orchestrated visual symphony of photos, videos and sculptures. The Mexico City based artist titled his show "Temazcal" after the type of ceremonial sudatorium that inspired this body of work. The...
Both love letter and indictment, “The Modernist,” Catherine Opie’s new photographic installation and short film, blurrily overlays real places and occurrences with imagined events, creating an alternate near-term history of Los Angeles. Known as a portraitist and...
Vija Celmins’ work is best when you are caught by surprise—don’t read the manifest, just board the ship. Sublime encounters open quiet pathways to deep consideration of the now-octagenarian artist, her times and her legacy. Celmins’ exhibition at Matthew Marks Gallery...
“Fever Pitch,” Wendell Gladstone’s new collection of paintings, achieves that elusive characteristic in which the longer you look, the more you see. It may be the bright, cotton candy-colored palette that draws you in, but it’s the details that keep you looking. At...
Minimalism, as Robert Hughes remarked, was the last great “ism” in contemporary art. It was perhaps defined best in the writings of Donald Judd (who hated the term), and in a few of Judd’s interviews from the 1970s. What seem significant in these are his ideas...