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As 356 Mission prepares to shutter, two unorthodox shows whet regulars' regret for the singular gallery's imminent finis. Closing April 22, Charlemagne Palestine's plush extravaganza is apposite to new artist Alake Shilling's outlandish show that will remain through...
Alison Saar’s “Topsy Turvy,” her new exhibition at LA Louver, looks to the sixties for strength: the 1860s. Painted on linen and canvas, carved in wood, and shaped from tin, Topsy the slave girl from Harriet Beecher Stowe’s Civil War era novel Uncle Tom’s Cabin looks...
"Lorser Feitelson: Figure to Form" at Louis Stern Fine Arts is a small but insightful survey of the noted painter's transition from Post-Surrealism to Hard-Edge Abstraction. Including nine paintings Feitelson (1888-1978) completed between 1945 and 1962, this show...
Matthew Sweesy’s “Nocturnes” and Jesse Edwards’ “Hot Town,” currently at Diane Rosenstein Gallery, are exercises in nostalgia. The two artists, while working in different mediums and styles, have a strikingly optimistic quality. Whether it’s the pop culture references...
Ben Sanders envisions paintings and completes drawings while sitting in church. It sounds as though the pictures yielded by this arrangement would be moralistic, maudlin or mocking; but instead, he transfigures personal and religious narratives into open-ended...