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When I walked into OURCHETYPES (2018), an installation by Jade Gordon and Megan Whitmarsh at the Hammer Museum’s biennial exhibition “Made in L.A.,” I felt as though I had entered a bubble. The soft purple carpeted floors, the ambient voices emanating from the video...
Just as sordid episodes leak bit by bit from grand American narratives, a morbid sense of truculence stealthily emerges from Joshua Hagler's bright palette and superficially quaint old-time imagery. His show "The River Lethe" at the Brand Library encompasses two...
Across a series of ethereal vignettes in Sophie von Hellermann’s new series, the petri dish operates as both a quirky formal motif and a sophisticated allegorical framework. Each of the mostly large-scale paintings (all acrylic on canvas, all 2018), display a picture...
Contorting harlequins bow and sprawl over pastel chairs, rugs, walls and potted houseplants in Sara Berman's paintings. Are these mysteriously leotarded people lost in reverie, engaged in awkward stretching exercises, or merely lolling indolently? It's impossible to...
Imagining an art object made entirely without thought and therefore completely physical is a fascinating exercise. On the other hand, trying to imagine as art something that was entirely wrought by thought without a physical trace (and therefore practice) is equally...