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John Divola is fascinated with the ruins we leave behind. He’s a trespasser by trade, wandering into suburban homes that have been abandoned or condemned, using his camera to document forgotten living rooms that have been stripped of human comforts and left to random...
When does an exhibition title effectively amount to a viewer advisory? I’m not sure Harry Dodge would consider the title of his current show at JOAN gallery, “Works of Love,” an instance of this. It’s not in any sense a caution, and the titles of the individual works...
Orientalist painting fantasies satirically intertwine with characters of anti-colonial resistance in “Les Femmes d’Alger,” Asad Faulwell’s ongoing portrait series recently exhibited at DENK. Drawing upon the rich legacies of Algerian War history, Islamic aesthetics...
Mining one’s own archive—especially if you are Michael Jackson’s personal photographer—can become a fruitful catalyst for exploration. Todd Gray’s recent works, framed photographs that are collaged together to become in essence bas-relief sculptures, juxtapose images...
The Seattle-born painter, sculptor and graphic designer Cleon Peterson has created a true battlefield experience with his new exhibit “Blood & Soil,” satirically making use of the 19th-century German slogan that expressed an idealization of racial identity and...