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Most people, when confronted with the mind-bending vastness and ubiquity of urban slums, experience some amalgam of shock, disorientation, fear, recoilment, sympathy and outrage. Witnessing a veritable sea of lean-to huts with house-of-card engineering expand into the...
When Push Comes to Shove (2015), take what you know and simply make—make objects, make observations, make connections, make people listen, make people think, make a doorway in which others can enter your world. Jeffrey Gibson’s approach to making fits perfectly into...
With a theatricality apposite to its subject, Bel Canto exploits the rapturous, dolorous and mysterious allure that can make opera, in its premier manifestations, indistinguishable from magic. The exhibition design manages to be both subtle and grand as its labyrinth...
Just last summer and fall, Firelei Báez brought a touch of joy to Harlem, along with a sense of her past. Even with five paintings, at the Schomburg Center of the New York Public Library, one might not have seen them as an immersive installation rather than a fiery...
Raffi Kalenderian’s solo exhibition “Memento Vivo” (Remember to Live) is a meditation on painting as much as it is a reminder to observe the real world as it rustles around you and enjoy its pleasures. His vibrant paintings—all variations on portraiture—explore the...