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The idea of using film to expose natural forces other than light remains a curious pursuit. Jeremy Bolen is one of a few artists who have taken the sacred medium and, as innovators such as Fontana, Klein, Duchamp and Broodthaers have done, subjected it to varying...
This 35-year retrospective, consisting of 52 sculptures (some presented in small editions) and nine digital photographs, offers a revealing cross section of Charles Tatum’s work dating from 1973 until 2008, the year the artist passed. Consistent throughout the...
JJ PEET’s first solo exhibition in Los Angeles is a well-installed show that offers a beguiling look at the New York-based artist’s practice. Three sculptural works from the “Floating Heads” series (2012-13) are sparingly placed in the darkened main gallery,...
The contemporary German artist Rosemarie Trockel, calls her current exhibition: “A Cosmos.” It’s a bold claim to announce that you have created a universe (though the title does take the indefinite article as opposed to the definite). Pre-Socratic thinkers used the...
Last year’s James Franco–curated “Rebel” show at the Joel Cohen/MOCA space included a collaboration between Hollywood’s polymathic heartthrob and indie enfant terrible Harmony Korine, in the form of a video entitled CAPUT. The rooftop rumble between bare-naked gang...
Gerard BYRne works from the premise that what constitutes the historic is constantly shifting and that there are a series of presents. In his artistic practice the interview and conversation become scripts to be performed in order to open up a number of critical...
Ever since 1912, when Picasso and Braque first collaged actual newspaper clippings and trompe-l’oeil woodgrain fragments into the first Synthetic Cubist oil paintings, the confusion between mass media and fine art has been one of the central engines of contemporary...
Having redirected his energies over the course of 20 years, from cast-resin sculpture to wall-based works combining painting with steel cables and short lengths of pipe, Peter Soriano has lately dispensed with objects, working on the wall in spray paint and acrylic...
Marat Sade Bohnice records the restaging of Peter Weiss’ 1963 play Marat/Sade. The play imagines that during the Marquis de Sade’s institutionalization in the Charenton Asylum in 1808, he wrote and directed a play about the death of Jean-Paul Marat, a radical during...
Felicitously hung in the former drawing room of a 19th-century castellated Gothic Revival villa, Gaela Erwin’s exhibition of pastels reveals first a mastery of light that both sculpts and dissolves form, patterned after the dramatic innovations of Caravaggio. But far...