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The art architects make we expect to mirror their architectural aesthetic, if not extend it seamlessly. It is a modernist trope — going back to the Baroque, in fact — that images and objects, functional and otherwise, further distinguish a notable space by integrating...
At his first solo show in Los Angeles in over 10 years, San Pedro based arist Tony Marsh presents eleven ceramic works from an ongoing series called Crucible and Cauldron. Some of the tankard-like objects appear to be bubbling over with one dominant color that is...
Ralph Ellison’s prologue to Invisible Man (1952) states “No, I am not a spook like those who haunted Edgar Allen Poe; nor am I one of your Hollywood-movie ectoplasms. I am invisible understand because people refuse to see me.” By contrast, Reflection Eternal: The...
"Celebrate the Bizarre," urges the header on postcards for "Morph" at Mash Gallery; and the 12 artists in this show surely do. More specifically, they revel in distorting human form for metaphoric and emotive effect. Heads are sundered, patched and obliterated; bodies...
The British duo, Gilbert & George now in their 70s, have been collaborating since the late 1960s. They have worked together for more than 50 years, creating at first performance-based works (they declared themselves "living sculptures") and later large-scale...