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Mike Kelley was a ruthless investigator, of everything from Mother Mary, to rainbow afro wigs to stuffed toys to the complex mechanism, which was his own mind. The works that comprise this retrospective are alternately humorous and aggressive, quietly lurking and...
Nathan MabryI can think of nothing as “fiercely alluring” (literally) as the open-mouthed skull of a T-Rex, and one with a luscious bronze patina to boot! Nathan Mabry delivers another provocative and mythologically charged visual opus at the Cherry Martin Gallery....
The rigorous simplicity of Alice Aycock’s early architecturally-based land art, as well as the exuberant complexity and cosmological grandeur toward which she has steadily moved, were both well represented in “Alice Aycock Drawings: Some Stories are Worth Repeating,”...
When Pouya Afshar was a young boy in Tehran, his grandfather gave him a gun and told him to kill the crow that was eating the fruit off the trees in the garden. The young boy did as he was told. Later his grandfather told him the crow might have been a mother feeding...
Panoramic history paintings depict all encompassing views, often creating a cinematic effect, and require active participation from the viewer, who is surrounded by the imagery. Meleko Mokgosi’s much lauded, multi-panel paintings exhibit a technical mastery that he...
With 21 new photographs in her second solo show at Angles Gallery, Augusta Wood resumes where she left off in her 2010 body of work, “I have only what I remember,” by delving deeply into personal history. Wood constructs her photographs from multiple images selected...
The Los Angeles Museum of Art is a DIY structure approximately 100 square-feet situated in the corner of a paved yard in Eagle Rock. Founded and run by the artist Alice Könitz, LAMOA continues in the long line of LA-based artist-run spaces that crop up regularly but...
Death becomes her, there really is no better way to describe Andra Ursuta’s first solo show in the US. Ursuta’s work has been dark, conceptual, sexually-charged and fueled by a death obsession; now fear is the impetus for creating a fictional graveyard in the Hammer...
While painters are often primarily concerned with light effects and the visual, Berkeley-based Judith Belzer’s work also resonates with a haptic sense. Her imagery is felt in the body, in the hands and feet. Recently awarded a Guggenheim Fellowship, Belzer explores...
“Rainbow Girls” at Cheim & Read continues Ghada Amer’s inventive strategy of using thread as paint, and needle as paintbrush, but with a marked difference. Bold embroidered stenciled text covers her canvas. Women’s rights and Amer’s stance are as forthright as her...