Articles

FORT WORTH, TEXAS: Hector A. Ramirez
SENSE AND NONSENSE

I was thoroughly bewildered when I first saw Hector A. Ramirez’ work as a member of his MFA committee at Texas Christian University in 2017. He handed me Carpet Shoes, a worn pair of men’s brown leather shoes with rectangles of yellowish carpet glued to their soles such that their footprints would be made by the carpet’s fibers. This simple juxtaposition of two familiar objects creates an...

CHICAGO: Paola Cabal
THE WORK OF ATTENTION

by Steven Carrelli

It is 3:02 p.m. on February 26, and we are looking intently at the north wall of Paola Cabal’s studio while the Midwestern afternoon light streams in through her unobstructed west windows. Cabal is rapidly leafing through a Benjamin Moore paint-chip book, holding the color chips up to a patch of sunlight on her wall to identify the color she might use to replicate the light. “There it is:...

KANSAS CITY, MO: Linda Lighton
PSYCHO CERAMICS

by Elisabeth Kirsch

With their blend of surreal retro glamor, sociopolitical and personal commentary, Linda Lighton’s ceramic sculptures command a double take. This veteran artist can make clay do just about anything, and her art has unabashed palpable appeal. But Lighton is also fearless when combining the sensuousness of her materials with controversial subject matter, whether she’s taking aim at environmental...

RICHMOND, VA: Diego Sanchez
VISUAL INFORMATION

by Sarah Sargent

“One of the things I teach my kids is to be playful in their approach,” says painter and teacher Diego Sanchez. This freedom to experiment takes the pressure off and opens up the work in unexpected directions. It’s an attitude that has served Sanchez well in his own practice. Sanchez lives and works around Richmond, Virginia, a city with a vibrant art scene. His story is not just about becoming...

LINCOLN, NE: Santiago Cal
POLITICS ON PAPER

by Jonathan Orozco

Santiago Cal is a humble man with a demeanor that challenges traditional Western conceptions of artistic genius. His subtlety and humility are visible in his works, which are usually small or medium-sized carvings of fragile children. His visual narratives don’t hit you over the head. Cal lives in Lincoln, Nebraska, a long way—culturally and geographically—from his country of origin, Belize....

From Mortar To Metaverse
CONTEMPORARY COMMERCE

by Seth Hawkins

Eth, bit, sol, meta, block chain, bored apes, crypto punks, kitty litter squad, non-fungible, minting, mining, tokenizing, gas fee, hot wallet, cold wallet, generative NFT, destructive NFT, candy machines, early adopters—yes this is English—just not the English of our youth or even the English of a few years ago. This is the contemporary language of commerce and the new verbiage for the art...

Pioneering Petra Cortright
NFTs Are a No-Brainer

by Jody Zellen

Petra Cortright’s URL, www.petracortright.com, could be considered a work of net art. Practitioners of net art (beginning in the mid-1990s) often used the internet as their medium, sometimes populating their pages with images and data from other websites. Cortright’s home page is a montage of appropriated animated gifs that include twirling roses, dragons, smiley faces, twinkling and spinning...

Nancy Baker Cahill Challenges the Limits of Perception
Seeing the World Anew

by Tucker Neel

In 2017, my friend—artist/curator Nancy Baker Cahill—invited me to see the art she was creating using virtual reality technology. Until that point, I knew Nancy to make ambitious drawings and otherworldly videos depicting abject, flesh-like topologies; works articulating her long-standing interests in questions of physical embodiment. She made real drawings with real materials—like carbon,...

A Conversation with Casey Kauffmann
Hot Girl Sh*t

by Lauren Guilford

Casey Kauffmann is a hoarder of cyber content. Her image archive is a black hole of digital debris, infinitely consuming, tearing apart, and spitting out images—a spaghettification of visual culture. Kauffmann is known for her digital collages that populate her Instagram page, @uncannysfvalley. These assemblages are strange, fragmented manipulations of a visual language that Kauffmann...

Tabita Rezaire and the Materiality of The Digital
COMPLEX INTERACTION

by Eli Ståhl

The digital is an arbitrary category. In everyday speech, it is sometimes used as an opposition to the material: a digital copy, artwork or exhibition versus a material one. The digital is presented as something existing outside of the material realm and the history and politics thereof; an apolitical utopia that does not hold the same accountability as the “real world.” However, the line...

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Reviews

Nora Turato
Sprüth Magers

“Self is source. Self is pure positive energy. Self is worthy. Self is full of vitality. Self is healthy. Self is eager about life. Self is amazing.” One might imagine this incantation spoken in a low, meditative tone, as though by uttering the words with enough...

Se Oh
Stroll Garden

As a Korean-born queer person who was adopted at nine months by a conservative white Christian family in the Tennessee Bible Belt, Se Oh struggled for years with the trauma of rejection, including from their adoptive parents who believed that homosexuals don’t make it...

Zizipho Poswa
Southern Guild

Zizipho Poswa’s monumental ceramic and bronze sculptures hold court like an enclave of demigods. While not figurative per se, they are anthropomorphic in the way all ceramic vessels are: All are additionally crowned with towering, ornate objects that radiate...

Marianne Wex
Tanya Leighton

Long before it was called out as a public nuisance, the phenomenon of manspreading was exhaustively, perhaps definitively, documented by the German feminist artist Marianne Wex (1937–2020) in a wide-ranging collection of images titled “Let’s Take Back Our Space”...

Paul McCarthy and Benjamin Weissman
The Pit

Don’t be fooled by the name: The Pit in Atwater Village is a snake-free, gleaming, new 13,000 square-foot space, zippy with colorful work. After the first two galleries, there was a huge room devoted to “Cognitive Surge: Coach Stage,” a striking, memorable show of...

Marc Camille Chaimowicz
Gaga & Reena Spaulings LA

An escapist, fantasizing indulgence reverberated throughout Marc Camille Chaimowicz’s solo exhibition “Emma Dreaming of California.” Just as Gustave Flaubert’s Madame Bovary—from which Chaimowicz extracted his protagonist, recontextualizing Emma Bovary within...

Judithe Hernández
Cheech Marin Center

At the retrospective “Judithe Hernández: Beyond Myself, Somewhere, I Wait for My Arrival,” mounted by The Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, the full spectrum of an artistic career of more than 50 years was on view. Beyond...

GALLERY ROUND: Pat Steir
Hauser & Wirth

The point of departure for Pat Steir's exhibition “Painted Rain” at Hauser & Wirth is an exploration of blue, a color omnipresent in Los Angeles. When first visiting the city over fifty years ago to teach at CalArts, Steir was struck by the quality of light and...

Stephen Seemayer: Dark Side of Paradise
Bermudez Projects

The precarious balance of society and nature, and man’s place within the magnetism of both is the central theme of Stephen Seemayer’s “Dark Side of Paradise” at Bermudez Projects. The collection of 26 paintings and nine studies are an ode to the shadow self and the...

Editor’s Pick: Margaret Lazzari
USC Fisher Museum of Art

The New York Times recently ran an article with the headline “Art Isn’t Supposed to Make You Comfortable”—Margaret Lazzari’s series of works devoted to her traumatic struggle with breast cancer, “The Cancer Series,” fits right into that category. More than 30 works of...

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