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Our distance from the object of desire is always measured. In Paul Donald’s new work, “Endymion Project,” the measuring is done with great nuance in his rethinking of the relationship between desire, power and the white male subject. The artist has literally and...
In her solo exhibit at Chainlink Gallery, Lithuanian artist Gedvile Grace Bunikyte demonstrates how the dichotomy between simple shapes and complexity of mind is one of the most compelling spaces in which to create. Her work, which consists largely of drawings and...
"Love Potions" at Maloney Fine Art is a wonderfully subtle and wistful exhibition of works by three Los Angeles artists. Kim McCarty, Roger Herman and Mona Kuhn have created a mélange of ceramics, watercolors and photographs that play off each other, creating...
Mary Anna Pomonis has curated a thoughtful and nuanced exhibition entitled Rosette in the project space at Charlie James Gallery. Working with the central idea of the constructed image of a rose with all its itinerant histories and meanings, etc. the works in this...
A slate of concrete with blue Skittles scattered across it is illuminated by a clamp light in Full Haus' current outdoor exhibition: "Andy Robert: Heavy Rain and Lightning." Titled Dream Deferred (Skittles on Concrete), this simply executed sculpture seems commonplace...
Rebecca Campbell believes in paying it forward as her most recent exhibition entitled You Are Here at LA Louver so elegantly demonstrates. Each of these eighteen portraits represents an image of a woman artist whom Campbell knows and admires, but more importantly...
To find a curatorial through-line for the wildly varied career of Frank Stella must be an enormous challenge. Hanging opposite the elevators on the new Whitney’s fifth floor, as a kind of preamble to “Frank Stella: A Retrospective,” are Pratfall (1974), a precise...
Laurie Anderson fairly disappeared in the gaping vastness of the darkened Park Avenue Armory. Standing, violin in hand, next to a Lincoln Memorial–sized plaster sculpture of an armchair, she told the story of Mohammed el Gharani.El Gharani—or rather his shimmering...
Looking like contorted urns collapsing inward or twisting outward, the 16 new cup-sized works that comprise “The Weight of Color,” Kathy Butterly’s fifth show with Shoshana Wayne Gallery, demonstrate her strength as an innovator. Working within the confines of a long...
In his essay “The Ontology of the Photographic Image,” film theorist André Bazin observed that image-making was “no longer a question of survival after death, but of a larger concept, the creation of an ideal world in the likeness of the real, with its own temporal...