When I was just out of school and began my first regular daily commute of the Southern California freeways, I remember stealing glances to either side of the road. I caught brief glimpses of the fleeting vistas, noting how with every quarter mile, my vantage point changed. On an extended road trip up through the Northwest and across the northern plains, I began taking pictures from the car....
The subject matter of several of my recent paintings derives from screwed-up iPhone panorama photographs. For centuries art linear perspective has ordered the space of paintings, determining how we look at an image. In panorama mode my iPhone-5 liberates the mind from this order, stitching together the world in a way similar to how humans actually conceptualize everyday scenes. In active viewing...
When I drove up to Zackary Drucker’s home off San Fernando Road, the front door was wide open—a startling sight since most of the surrounding houses have metal bars over the windows and doors. The Los Angeles video and performance artist lives in Glassell Park, an industrial strip in Northeast Los Angeles. Besides the open door, the house also stood apart with its manicured lawn and the polished...
If one thinks of the essence of Modernism as being about direct experience rather than recreated experience, the artist who has really continued to expand possibilities is James Turrell. A striking aspect of his retrospective exhibition at the Los Angeles County Museum of Art, which fills one whole floor of the Broad pavilion and a large portion of the Resnick, is what a personal experience...
In 1987, the year his son Brady turned two, Abelardo Morell lay down on the nursery floor in order to see the world the way a wriggling baby would. From that vantage point he looked up at a stack of blocks towering over him as if it were a BCE column or stele, and he took a photograph. In 1993 when Brady was six or seven, Morell looked up at a wine glass sitting on the kitchen table, seeing it...
From the outside, Trotter&Sholer’s current exhibition of works by Derek Weisberg might look like jarring Frankensteinian creations. With roughly hewn figural assemblages, mixed media collages, and fragmented bricolages of ceramic masks, the show reveals sensitive,...
The capacious white central gallery is filled with a medley of artworks that at first glance seem to have no apparent connection. Sculptures, photographs, paintings and ceramics are distributed evenly on the walls and floor. Eventually it becomes clear all of these...
Human connection and relationships are at the heart of Paige Emery’s “Ritual Veriditas” at Coaxial. Though small in size, the works create an immersive experience with video, sound and mixed-media visuals created entirely by the artist. The praxis of “Ritual...
The line between the real and unreal is a thin one. Just beyond the horizon, and beyond the corner of our eye, exists only the expanse of our imagination – what you might call magic. And it’s in this liminal space between magic and matter, fact and fiction, that you...
Eric Nash’s latest collection of charcoal drawings is along the same vein as some of his previous series, with new signs, buildings and pools explored in different angles. These renderings stem from thousands of source photos that he takes around Los Angeles at any...