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Brian Bress’ amalgam of drawings, paintings, masks, sculpture and videos, brought together for “Make Your Own Friends,” a survey of the last ten years of Bress’ output, elicits a range of feelings, from poignancy and surprise, to disconcertion and compassion. The...
There are some artists you know are great immediately because they provoke such disparate and conflicting emotions simultaneously that they practically throw you physically off balance. John Altoon is one such artist. The most feral of the Ferus Gallery Cool School,...
Gary Lang's circle paintings, perhaps the most monumental of his oeuvre, might be the most intimate, too. “Rising,” his current exhibition at Ace Gallery Beverly Hills, includes a number of these pieces, as well as other works from the past 10 years, and a group of...
The most emblematic of the ‘trophy’ moments in Ry Rocklen’s current show may be the perforated vertical standing locker cabinet, titled Ricky. With its exposed interior copper plating and cross-illuminated by the gallery light, it’s a handsome object that might serve...
During a Cabinet Council meeting three years into her mourning of the death of her husband, the still distraught Queen Victoria “rose from the table declaring that she could come to no decision without consulting with Prince Albert.” That display moved one of her...
The great thing about keeping some distance from the dominant trends in the art world is that you stand a reasonable chance of remaining true to what is most unique about your own art-making: your own eye, ear, voice or hand (all are involved in what flows from the...
Walking down the lengthy corridor from the street to Hollywood’s Various Small Fires Gallery for the opening reception of mixed media artist Jeff Zilm’s latest exhibition, “Relics of the Epoch,” a slightly alienating, yet familiar droning sound cascades down the...
We have abandonment issues lately/forever – desolate, disconsolate and a bit fragile. In Henry Taylor’s painting, that fragility coexists with an incongruous durability – a hard thing that cracks against identity or classification or simply swallows it up. Taylor’s...
If Rebeca Puga's paintings could speak, they might quote, in their collective voice, the Socratic paradox, "I only know that I know nothing." Instead of formulating bold statements, they suggest ineffable speculations.In pencil lines, thin washes, and wobbly...
Photographer Richard Learoyd has returned to the ancient roots of his craft to grasp the materiality of that moment of our impact upon the world, specifically with the camera obscura in its most literal definition – the image received on a large sheet of...