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Metamorphosis can refer to processes both natural and supernatural; but the works in Douglas Tausik Ryder’s exhibition of this title, while they reference the commonly understood biomorphic dimension, also encompass a much larger domain: the metamorphosis between...
As of late, queer art exhibitions have been popping up all over America. One such art show is “How Do I Look?: Shifting Representations in Queer Identifications,” which is on display at the Da Vinci Art Alliance in Philadelphia. In this review, I will surface the...
Half or more of the best new work in the last few years has been neither painting nor sculpture. —Donald Judd, Specific Objects 1965 When Donald Judd spoke of work that is a hybrid of painting and sculpture, one of the artists he was undoubtedly referring to was Frank...
Brendan Fowler is interested in the relationship between photography and material culture, and his works transform photographic images into something unexpected. He is best known for his "crash piece" series (exhibited at MOMA in New Photography 2013), in which he...
If it feels as if it’s been years since you saw work by Beverly Pepper, it probably has. I don’t think she was even included in the Hauser, Wirth & Schimmel “Revolution In the Making” debut show. Not revolutionary enough? Or too far from the madding crowd? Pepper...
Lena Wolek's "Arbitraitor's Clauset" is clever in title and use of space. Arriving at her installation in the diminutive exhibition chamber misleadingly named "Egyptian Art & Antiques" feels like discovering a child's toy-room in a nondescript Beverly Hills office...
For those of us who grew up in America in the second half of the 20th century, especially the decades of the 1960s and 1970s, it would have been impossible to go through middle or high school without stumbling across certain staple school stationery supplies. One such...
The graffiti artist John Crash Matos, known simply as Crash, started spray-painting buildings and trains in New York City in his early teens. Before long, he transitioned to showing in galleries. Although he may not be as renowned as colleagues Shepard Fairey or Barry...
The curators of Ecstasy, Virginia Broersma, Nick Brown and Kio Griffith, characterize their show as an “exhibition and lab” (the latter aspect of which may be more prominent in a couple of the objects by Candice Lin included here); but its installation has the airy...
In Blair Saxon-Hill's installation to no ending except ourselves (2016), wall and floor based sculptures fashioned from discarded and broken materials come to life. Making art from found objects is nothing new and while Saxon-Hill's works pay homage both to outsider...