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Dean Monogenis destroyed nine paintings putting them on display in a work entitled Black Hole. Feeling the need to purge, Monogenis selected older pieces from the gallery's inventory and cut them into strips to be fed into a wood chipper. He then collected the sawdust...
While abstract art often begins with inspiration and develops spontaneously, Lawrence Fodor approaches his canvasses in a different manner, basing his paintings on historic works. Loosely connected to abstract expressionism, Fodor works in a style in which...
One doesn’t quite know how to act inside Jacob Ciocci’s deliberately underwhelming installation. The artist has transformed And/Or Gallery into a bland arena that feels more like a waiting room than an exhibition. Chairs line the walls—are you supposed to sit? Tablets...
Uta Barth’s work has always dealt with the way images and perceptions are shaped through both the tools and conventions of image making. Much of that work has addressed more specifically divergences between those synthetically shaped and focused perceptions and...
Minimalism is alive and well in Southern California. In tandem with the current exhibition of historic California Hard-Edge painter John McLaughlin’s work at LACMA, preceded by their well-received Agnes Martin retrospective, Scot Heywood’s new works on view at Peter...
‘Petrichor’ was a word I was unfamiliar with until Lisa Adams used it as the title of her current show at CB1. It apparently refers to the smells of drying earth, grasses, and atmosphere following the first rainstorms after a long period of warm or dry weather. I...
Daniel Pitín's paintings allegorize the uneasy tension between our mortal individuality and the cold cardboard abyss of the computerized world. Most works in his current show depict inchoate figures merging into geometric multi-planar forms. These unclassifiable,...
It is for some of us (the more fortunate among us) the first fear or horror we know – our first encounter with something at first glimpse familiar that upon extended gaze or lingering examination reveals itself as utterly transmogrified, and suddenly, quite...
Cole Case is a man obsessed with: airplanes, the night sky, palm trees, runways, depopulated public spaces and his own private plethora of nostalgic memorabilia. Armed with these iconographic signifiers, Case, in his second solo exhibition with Chimento Contemporary,...
“We are children of our landscape [which] dictates behavior and even thought,” writes Lawrence Durrell. It goes without saying, therefore, that a baneful “landscape”—defined in the broadest terms—has devastating effects on the inhabitants. At the Huntsville Museum of...