Artist Hema Upadhyay has been a force in Indian contemporary art for two decades. Still, her recent solo exhibition at Chemould Prescott Road in Mumbai in fall 2014 was a major event in both the artist’s trajectory and the landscape of Indian art today. “Fish in a Dead Landscape” was Upadhyay’s first solo exhibition in a decade at the gallery—one of Mumbai’s best—and incorporated the...
In a series of evocatively posed large photographic diptychs entitled Thoamada II, Vuth Lyno expands common frameworks of sexuality, family and memory. This work is an outgrowth of an earlier series of photographic and audio portraits of individual MSM (men who have sex with men) entitled Thoamada (2011). That work was comprised of a suspended circle of nine large-scale color photographic...
Do Ho Suh has a career that has yielded exhibitions at Tate Modern, the Serpentine Gallery, the Liverpool Biennial, the Gwangju Biennale, a retrospective show at the Seattle Art Museum, and the Venice Biennale where he represented his native South Korea. His practice is quite successful, in part because it is a revelatory prism through which to attend the great themes of art and humanities...
For Taiwanese artists Chun-yi Chang and Yinling Hsu—currently in residence at the International Studio and Curatorial Program for emerging to mid-career artists in New York—probing notions of temporality and human disconnectedness form the core of their practices. Less concerned with the specificity of their cultural identity, their work as members of a vibrant international community of artists...
When the Hong Kong police first used tear gas and rubber bullets on the crowd of young and unarmed demonstrators in front of the government building on Hong Kong island—the moment the so-called Umbrella Revolution started in earnest—I was just arriving in the lovely hutong hotel I would stay at in Beijing. The loveliness of my surroundings, a renovated traditional courtyard home in an old area...
“Eurydice,” Kandis Williams’ film and solo exhibition is a work that, once experienced, retains the power to alter one’s perceptions, a power that continues to linger. Both aesthetically graceful and experimental, the central part of the exhibition is a 20-minute,...
Through his glorious tangle of color and motion Kengo Kito has offered an oversized ravel of joy with Reconnecting (2021) a fascinating and immersive installation of hula-hoop spirals that fill the gallery and immerse the spectator. On view at Japan House in...
Leo Mock’s oil stick, oil and charcoal paintings are imaginative hybrids that distort the recognizable elements found in the natural landscape into something fantastic and surreal. Through six large-scale paintings, viewers are taken on a journey to an unknown world....
From an ultramarine field, a glyph emerges. It is the shape of something, human or animal, and it appears to pirouette in the center of the canvas. Drawing closer reveals other marks scratched into the surface of the blue, or small fragments embedded in the field. One...
Installation—often understood as the act of locating, positioning and inserting—has, in Nari Ward’s exhibition at Jeffrey Deitch gallery in Los Angeles, intersected with the examination of founding American democratic principles. This combination of past works and...