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There’s a lot to learn from Ellen Gallagher’s new exhibition. For example, it turns out Herman Melville was an Afrofuturist. And that the Atlantic Ocean is the original abstract expressionist. Also, that it is possible to make a map of something you can never see. On...
Each painting currently displayed at Zevitas Marcus evokes the satisfyingly voyeuristic sensation of Sarah McEneaney or Ann Toebbe allowing you to peer through a window or skylight into her studio or home. This show's compendious title, "Home Work," bespeaks...
Rallying against overwhelmingly white, male perspectives in art history, “We Wanted a Revolution: Black Radical Women, 1965-85” at the California African American Museum (CAAM) is not to be missed. The exhibition highlights the stylistically varied work of over 30...
The provocation of vulnerability has long been a mainstay of impactful art. Video and film media, given their reliance on the staging of exposure and emotional confrontation, are no exception. An exhibition...
In Andi Magenheimer’s “HpPy BRdDY,” a smiling and limbless dinosaur’s engorged human breasts graze the reflecting water below, imperturbably still while a rhododendron sheds its petals endlessly from the shore, the sunset curving into and around the creature’s...
It's unique to see a distant artist delving deeply into our obscure local lore. In his current show at Gagosian, New York-based painter Walton Ford travels far back in time to the land of the Natural History Museum and La Brea Tar Pits. The exhibition's title,...
Spiritual aspirations present this fundamental dilemma: we exist as physical beings in a material world of far more palpable empirical reality than anything incorporeal, with pragmatic demands inevitably more urgent than intangibles. Without surplus resources, how...
Lynda Benglis' sculptures are motley in makeup, manifold in their evocations of natural features and visceral gestures. Variously forged of steel, bronze, polyurethane, chicken wire, handmade paper, glitter and clay, her splanchnic forms droop, lean, ooze, peel,...
Admirers of feminist artist Miriam Schapiro’s (1923-2015) work may be surprised to learn that this influential woman who founded the Feminist Art program at CalArts with artist Judy Chicago and helped organize Womanhouse (1972), an installation project with over 25...
So often is the label Surrealism tacked onto fantasy art that, in descriptions of contemporary work, it's become practically synonymous with utopian scenes or lowbrow. Kelly McLane's loose dystopic pictures are the opposite of such reductionistic definitions; yet she...