Laurie Anderson fairly disappeared in the gaping vastness of the darkened Park Avenue Armory. Standing, violin in hand, next to a Lincoln Memorial–sized plaster sculpture of an armchair, she told the story of Mohammed el Gharani.El Gharani—or rather his shimmering likeness, beamed live from West Africa for seven hours on each of three consecutive days in October—gazed over the thousand or so...
Editor's note:This piece about the current crop of art shows in Paris was submitted to us days before the latest round of carnage in the City of Light. The recent attacks certainly overshadow the offerings at any of these exhibitions, but as you'll see below, some of the materials on display directly address the social and political questions highlighted by the conflict with global terror. Our...
Perhaps the best example of the depth and breadth of Sandow Birk’s artistic oeuvre, along with its powerful social/political implications, is his recently completed “American Qur’an,” nine years in the making. Birk conceived of this series during the Iraq and Afghanistan wars, when he was devouring the news each day, often hearing demeaning stories about Islam from politicians and...
Considering the degree to which historians live in the past, Amelia Jones may not be what you’d expect. Confronting cultural biases relating to the politics of identity, she seems as much social activist as art historian.Via art history, Jones speaks out against the art world’s entrenched sexism and racism, challenging the field’s most authoritative voices for insistently promoting a straight...
On a hot August night in the Pico-Union neighborhood near Downtown Los Angeles, Nuttaphol (pronounced nut-tah-pun) Ma welcomed me to The China Outpost, the project the 43-year-old artist calls a nomadic, self-imposed sweatshop, which bleeds into his living space at the St. Valentine building just a few blocks west of the Staples Center. From the balcony of his apartment, the buildings and neon...
When one enters the massive gallery at California African American Museum occupied by “Sanford Biggers: Codeswitch,” it’s easy to be seduced by the cacophony of bold color, textures and geometric patterns. Power symbols appear and disappear like a nickelodeon on...
In his new collection of powerful figurative images and mysterious abstract photographs, Brendan Lott proves he is both “Looking In and Looking Out.” The exhibition is curated across two rooms at Walter Maciel, allowing viewers to move between intriguing and intimate...
It has been a while since David Rubin ended his long and distinguished career as an institutional curator, but he continues to write and curate—and continues to produce art as well. Rubin had put aside his youthful artmaking once his curatorial direction took over,...
Curated by former MOCA LA Chief Curator Helen Molesworth, “Ruth Asawa: All is Possible” at David Zwirner, New York expands our understanding of this remarkable artist by presenting a selection of lesser-known pieces together with her iconic sculptures. Asawa’s...
As the room unfolds before a viewer’s eyes there is a veritable procession of numbers going from one to nine through all the gyrations of being outlined, filled in or partially obscured. It is as though the sequence of this set of well-known forms is taken...