There is a new queen in town. Last Saturday the Tanya Bonakdar matriarchy entered Hollywood in the most appropriate of ways—with the 12^th solo presentation of gallery SoCal artist Charles Long. The exhibition “husbands, sons, fathers, brothers” provides context; it is the preamble to the post apocalyptic state depicted in “Paradigm Lost” which is Long’s contribution to “Made in L.A.” currently at the Hammer.

The two exhibitions confront patriarchy in a sculpturally direct format—the basis for all artworks being derived from a phallic cross-section. While both uncanny and ultimately perfect, this cross-section imagery likens to a sculpted relief of a sad emoji. At TBG-LA, Long explores the more formal side of cutting the head off our masculine-dominated existence with the stark white-on-white exhibition.

The vaulted/newly remodeled space on Highland Avenue, and its four separate galleries each contain a single artwork or installation. It provides a calming, safe and neutral environment allowing for both personal reflection and contemplative discussions meant to lead toward the inevitable apocalyptic patriarchal collapse depicted in “Paradigm Lost.”

While the subject matter was socially charged and geographically relevant—the mood at the opening was absolutely celebratory.  It was a jovial homecoming for Long and a celebration for TBG’s entrance into LALA Land. The opening was buzzing with open and liberating discussions. A strong female art world presence made it all the more dynamic. In attendance were the gallery’s namesake Tanya Bonakdar, TBG-LA Director Mary Leigh Cherry, gallery artists Analia Saban and Uta Barth. Fellow “Made in L.A. 2018” contributor Carmen Argote, Marciano Director Jamie Manne, and many others came to show support. Welcome home Charles and Tanya. Get ready Los Angeles, the times they are a changing.