Charles Rappleye died on Saturday, September 15, at his home in Echo Park at the age of 62. He battled with cancer for nearly seven years.

Charlie had a rich career as an award-winning investigative journalist and an author of four nonfiction historical biographies. Separate from that part of his life, he was also co-founder of Artillery with me, his wife, and editor-in-chief Tulsa Kinney. Together, we launched the magazine in September of 2006.

Although Charlie’s background was not in the arts, he was an appreciator, and strongly encouraged me to start the art magazine. His expertise in publishing and journalism complemented my knowledge of contemporary art. He was publisher of Artillery for our first two years before stepping down to continue his writing and complete three subsequent books.

Still, Charlie remained a huge part of the daily operations of Artillery, being an on-call headline writer, off-the-cuff caption provider, proofer and editor, but mainly, its biggest fan and advocate for success. He was always involved—even if it was just doing grunt work like shipping magazines to colleges and art fairs, dropping off stacks at galleries, or running the national distribution, to always seeking out new places to distribute the magazine.

Charlie also served as my personal editor for all my features and editor’s letter. I can’t fathom grappling with copy without his eye. He was always looking for authenticity, to make sure I tell it like it is. Whenever I assigned him a story (and be thrilled that he would say yes) he invariably caught negative attention from the art audience. Like when he did the critical exposé on LA art nonprofits; that did not go over so well with the players involved. He always sought out the truth and just laid it out right there; not your usual art-writing fare.

Charlie would have been here with me right now, correcting my punctuation, and helping me select which ads look best where. He even did the grilling at our annual summer contributors’ BBQs. Artillery would not have happened without Charlie and his absence leaves a void almost impossible to fill, with the magazine—and in my heart.