The only quibble I might have with the Getty's excellent show, "Light, Paper, Process: Reinventing Photography," would be that its title is too literal-minded. A show as exciting as this one is might have had a more adventurous title – say, "Back to the Future," or...
Straddling a fine line somewhere between sincere participation and ironic appropriation, Petra Cortright’s multimedia cyberspace art endlessly reflects and redoubles the medium from which it borrows. The Internet is Cortright’s vehicle and content, framed by...
Not that this hasn’t been done before, the theme of “flatness” explored again and again in all its variations, but in its most recent incarnation at David Kordansky Gallery, artists like Tauba Auerbach transform the static spatial plane that is “flatness” into a...
The Venice Biennale, founded in 1895, now includes 30-plus national pavilion spaces in the Giardini area, a mindboggling abundance of ancillary exhibitions (including especially the group show in the warehouse-like Arsenale), as well as a plethora of performance art,...
Mark Bradford’s first solo exhibition "Scorched Earth" at the Hammer Museum is a stunner and not in the typical ways one might expect. These paintings, engendered equally by the 1992 LA uprisings as well as the AIDS epidemic, constitute a visceral visual experience...
It’s a long way, spatially, temporally and culturally from the cavernous interior of The Geffen Contemporary at MOCA to the idyllic rolling landscape of the Civil War battle field near Bull Run Creek in northern Virginia. But it is precisely that distance (among...
The first exhibition at Art+Practice, which recently opened in the historic Leimert Park district, is a site-specific installation by veteran conceptual artist, Charles Gaines. “Librettos: Manuel de Falla/Stokely Carmichael” (2015) consists of 23 acrylic box frames...
Ed Templeton has expressed his obsession with watching people who walk along the sidewalks and hang out at the waterfront in Huntington Beach, California. He is equally fascinated by young girls and old men, their modes of dress or undress, and the details of their...
I try to avoid reading too much into titles of paintings because they can rarely be more than the most tenuous captions for something effectively functioning in a language of its own. Occasionally a show’s title underscores a certain theme resonating through the...
Romanian painter Adrian Ghenie’s work is clearly indebted to that of his artistic forbearers. Not since Anselm Kiefer has a painter dealt so explicitly with the heavy, fraught history of 20th century Europe, and like Francis Bacon, his visages are rendered as...
Carol Es has long drawn upon two major factors in her personal history—factors that she recognizes that she shares with many others, but perhaps not in quite the same way. Strongly identifying as Jewish, Es has emphasized the cultural and historical aspects of her...
Phyllis Green’s “Walking the Walk” consists of sculptural works that also function as garments and performance props. Their use as such is documented by photographs by Ave Pildas with the artist posing and modeling each of the artworks. Toying with the idea of a high...
Harkening to the grace of bygone days when those who wished to communicate with one another would do so by putting pen to paper, East Bay-based artist Gail Tarantino’s “Hand Written” draws content from letters written by the artist to astronomers, naturalists and...
A trio of sepia-toned photographs, displayed at the entrance of the Leila Heller Gallery, documenting four naked men followed by Western soldiers in a rundown village instantly evokes the horrors of Abu Ghraib. The jarring scene—American soldiers humiliating local...
Julia von Eichel’s wall sculptures (all 2014) are oddly unsettling, with innards that seem to strain against their outer skin and an overall configuration suggesting movement or attenuated growth. It’s tempting to see naturally occurring phenomenon like spores,...
At first, Andrew Dadson’s newest exhibition at David Kordansky, “Painting (Organic),” seems to lack cohesion, with medium and mood shifting frequently. There are three very distinct types of works on display: a collection of photographs hung in a grid formation; six...
It seems every traveler, on occasion, suffers a collapse of time and space. Careening down a hotel hallway late at night, carrying a suitcase whose weight amplifies the exhaustion from hours of cramped travel, one's head begins to spin. Doors, walls, and expanses of...
Ann Chamberlin approaches painting like an alchemist approaches a vile of life-giving succor—with tremendous reverence and passion. The new paintings on view at Lora Schlesinger Gallery mine some of the same archetypal themes she has visited previously. However these...
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